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  1. Folco Portinari (falecido em 31 de dezembro de 1289) foi um banqueiro italiano e diversas vezes prior de Florença. [1] Ele era pai de Beatriz Portinari, a mulher identificada como a personagem amada por Dante Alighieri e citada em suas obras. [2] Portinari nasceu na comuna de Portico di Romagna, perto de Forlì.

  2. Folco Portinari (died 31 December 1289) was an Italian banker and several times the prior of Florence. He was the father of Beatrice Portinari, the woman largely identified as the character loved by Dante Alighieri and mentioned in his works. Portinari was born at Portico di Romagna, near Forlì.

  3. Embora não seja unânime, a tradição identifica-a como filha do banqueiro Folco Portinari. [ 1 ] A documentação sobre sua vida sempre foi muito escassa, a ponto de se duvidar da sua real existência.

  4. www.slowfood.com › blog-and-news › goodbye-to-folcoGoodbye to Folco - Slow Food

    Today we must say farewell to one of the founding fathers of Slow Food, Folco Portinari, a great intellectual and gastronome who has died in Milan at the age of 93. He was responsible for the extraordinary Slow Food Manifesto, a groundbreaking text that ended up revolutionizing food culture around the world.

  5. The triptych was painted from 1473 to 1478 by Hugo van der Goes, on commission from Tommaso di Folco Portinari (1428-1501), a Florentine banker, agent of the Medici Bank in Bruges and influential adviser to the Burgundy court.

    • Folco Portinari1
    • Folco Portinari2
    • Folco Portinari3
    • Folco Portinari4
    • Folco Portinari5
  6. Beatrice "Bice" di Folco Portinari (Italian: [beaˈtriːtʃe portiˈnaːri]; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's Vita Nuova, and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the Divine ...

  7. A native of Florence, Tommaso Portinari was the branch manager of the Medici bank in Bruges. He probably commissioned these portraits from Memling around the time of his marriage to the fourteen-year-old Maria Baroncelli in 1470. The two panels originally formed a triptych with a central devotional image of the Virgin and Child.