Resultado da Busca
The Second Folio is the 1632 edition of the collected plays of William Shakespeare. It follows the First Folio of 1623. Much language was updated in the Second Folio and there are almost 1,700 changes. Background and conception.
Second Folio. Full Title: Mr. William Shakespeare Comedies, histories and tragedies. Published according to the true originall copies. The second impression. London, printed by Tho. Cotes for Robert Allot, 1632. Published: London: Smethwick, J., Aspley, W., Hawkins, Richard, and Meighan, Richard, 1632.
4 de dez. de 2020 · The other thing that makes the Second Folio distinct from the First Folio is that it contains the first ever published poem by a young, 24-year-old John Milton, the author of Paradise Lost. For a good introduction to the meaning of this poem and the significance of the Second Folio please watch this video of Ari Friedlander, University of Dayton.
Há 6 dias · A second Folio was issued in 1632, containing ‘An Epitaph on…Shakespeare’ by Milton, which was his first published poem; a third Folio was issued in 1663, whose second impression of 1664 contained Pericles and six apocryphal plays; the fourth and last Folio was published in 1685.
The Second Folio, 1632. Nine years after the First Folio, the Second Folio was printed, which reflected the continuing interest in the playwright's work. It contains the same plays as the First Folio, but was also the first attempt at a systematic 'edit' of Shakespeare's plays.
This section of the Second Folio features an elegy on Shakespeare by aspiring poet John Milton – his first published poem, though his name was not printed. While preparing the text, the printers made nearly 1700 changes to modernize the First Folio text according to then-current conventions and to clarify obvious typos and cruxes (i.e ...
10 de out. de 2018 · The Second Folio is really the story of how a book made a 17th-century London playwright one of the most dominant figures in Western culture. The posthumous publishing by Shakespeare’s friends and contemporaries captured the most accurate accounting of his plays.
