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Tamara Deutscher (1 February 1913 – 7 August 1990) was a Polish-British writer and editor who researched the leaders of Soviet Communism, together with her husband Isaac Deutscher. She was born Tamara Lebenhaft in Łódź, in what was then Congress Poland.
TAMARA Deutscher who died on Tuesday [August 7th 1990] at the age of 77, was best known as Isaac Deutscher’s collaborator; and their partnership was indeed very close, never more so than in the years of work that went into Deutscher’s three-volume biography of Leon Trotsky.
Tamara Deutscher condemned Soviet intervention in Czechoslovakia in 1968 and spoke out to defend the rights of dissidents in that country in the 1970s. Her skills as a researcher were utilized by others besides her late husband.
First Published: This is an edited transcript of a lecture given in February 1965 at the London School of Economics. It was first published in the posthumous collection of Isaac Deutscher’s writings, Marxism in Our Time , edited by Tamara Deutscher, in 1975. Transcribed: Martin Fahlgren.
The Isaac and Tamara Deutscher Memorial Prize is an annual prize given in honour of historian Isaac Deutscher and his wife Tamara Deutscher for a new book published in English "which exemplifies the best and most innovative new writing in or about the Marxist tradition."
Year [5]WinnerBookPublisher2023Market and Violence. The Functioning of ...Brill2022Gabriel WinantThe Next Shift: The Fall of Industry and ...Harvard University Press20212020The Return of Nature: Socialism and ...Monthly ReviewMandelstam’s life-long friend, the late Anna Akhmatova remarked that Osip ‘does not need Gutenberg’s invention’. ‘In a sense’, confirms the author of the Memoir, ‘we really do live in a pre-Gutenberg era: more and more people read poetry in the manuscript copies that circulate all over the country.’.
Tamara contributed fifteen essays to the Review between 1968 and 1987, constituting a remarkable critical panorama of trends within Soviet society and, especially, the Soviet intelligentsia. The memoirs of Anatole Marchenko and Nadezhda Mandelstam allowed her to explore the contrasting worlds of worker and writer.
