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  1. Elizabeth Bethune, or Beaton (died after 1581), was one of the mistresses of King James V of Scotland. Their daughter, Lady Jean Stewart, married Archibald Campbell, 5th Earl of Argyll. Elizabeth was the daughter of Sir David Beaton of Creich, a nephew of James Beaton, Archbishop of St Andrews, and Keeper of Falkland Palace.

  2. Elizabeth Bethune, or Beaton (died after 1581), was one of the mistresses of King James V of Scotland. Their daughter, Lady Jean Stewart, married Archibald Campbell, 5th Earl of Argyll. Elizabeth was the daughter of Sir David Beaton of Creich, a nephew of James Beaton, Archbishop of St Andrews, and Keeper of Falkland Palace.

  3. De Bethune creates authentic images that dignify diverse truths through humble domesticity. In a climate of political demonization, her art serves as a powerful counterforce, advocating for visibility and acceptance by capturing people engaged in a space and neutral atmosphere.

  4. Elizabeth de Bethune is a painter from Yonkers, NY. Her most recent exhibitions were "Intimate and Ordinary", at the Rye Art Center, April 25—June 8, 2024, and "Out in Yonkers, Portraits from the Yonkers LGBTQ Community", White Plains Library Museum Gallery, January 4-February 29, 2024.

  5. Childhood. Jean was born between 1528 and 1537. Her mother Elizabeth was the daughter of Sir John Bethune, 2nd of Creich, and Janet Hay. Elizabeth Bethune was first married to John Stewart, 4th Lord Innermeath, by whom she had two sons: James Stewart, later 5th Lord Innermeath and the poet John Stewart of Baldynneis.

  6. Elizabeth de Bethune. Elizabeth deBethune is a painter who has delved deeply into printmaking processes, particularly monotype printing. During two fellowships (now Workspace Residencies) at WSW, she continued to develop her method of layering and using chine colle. Elizabeth earned an MFA in painting at Purchase College, State University of ...

  7. I am a visual story-teller. I make pictures of everyday life, of the quotidian world, of people, places and things; situations at once familiar to many, but singular in their specificity. The particulars reflect my vision and experience but welcomes the viewer in with empathy.