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  1. Analysis (ai): The poem "To Cloris" by Sir Charles Sedley celebrates the speaker's all-encompassing love for his beloved. Unlike many love poems that focus on specific physical attributes, this work emphasizes the totality of the speaker's affection, suggesting that it is impossible to isolate any single feature that sparks his love.

  2. Sir Charles Sedley Biography. Sir Charles Sedley, 5th Baronet was an English poet, translator, playwright and wit who was also a well-known patron of the arts and literature during the Restoration period. He was much admired amongst other writers. He also served as a Member of Parliament. He was born sometime during March 1639 into a prominent ...

  3. Charles Sedley (marzo de 1639 - 20 de agosto de 1701) fue un dramaturgo inglés, hijo de Sir John Sedley de Aylesford en Kent. Estudió en Wadham College de Oxford , pero no se graduó. Sedley es famoso como mecenas literario en la comedia de la Restauración , y fue el Lisideius del Essay of Dramatic Poesy ( Dryden ).

  4. Sir Charles Sedley, 2nd Baronet (c. 1721 – 23 August 1778), was a British politician who sat in the House of Commons between 1747 and 1778. [1] Early life [ edit ]

  5. Das Geburtsdatum des Restaurationsdichters und Komödienautors Charles Sedley steht nicht genau fest, man weiß lediglich, dass er am 5. März 1639 in St. Clement Danes in the Strand, London, getauft wurde. Der Familienbesitz der Sedleys lag in und um Southfleet in Kent. Bereits sein Großvater, William Sedley (um 1558–1618), war unter James ...

  6. Charles Sedley. Born. Kent, The United Kingdom. Died. August 20, 1701. edit data. born March 1639. Sir Charles Sedley, 5th Baronet was an English wit, dramatist, politician, poet and translator, ending his career as Speaker of the House of Commons.

  7. The plays of Sir Charles Sedley consist of two tragedies and three comedies. ‘Antony and Cleopatra’ (1677, reprinted 1702, under the title of ‘Beauty the Conqueror, or the Death of Marc Antony’) was extolled by Shadwell (dedication of A True Widow ) as ‘the only tragedy, except two of Johnson's and one of Shakespeare's, wherein Romans are made to speak and do like Romans.’