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Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century French painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of ...
Élisabeth Louise Vigée Le Brun, also known as Madame Le Brun, was a prominent French portrait painter of the late 18th century. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. Her subject matter and color palette can be classified as Rococo, but her style is aligned ...
Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century French painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of ...
Élisabeth Vigée-Lebrun. Louise-Élisabeth Vigée-Le Brun (auch Le Brun; * 16. April 1755 in Paris; † 30. März 1842 ebenda, bestattet in Louveciennes) war eine französische Malerin, die zahlreiche Porträts europäischer Adliger anfertigte. Ihre Werke sind dem Rokoko und später dem Klassizismus zuzuordnen.
18 de jun. de 2024 · Élisabeth Vigée Le Brun, the daughter of a minor painter, Louis Vigée, was born and brought up in Paris. She became a member of the Académie de St-Luc in 1774 and of the French Academy in 1783. She was a highly fashionable portrait painter, patronised particularly by Queen Marie Antoinette. Between 1789 and 1805 she travelled in Europe and ...
Vigée Le Brun was the most important woman artist of her era and one of the most singular of any period. She was the daughter of a painter but largely self-taught. In 1776 she married the expert and dealer Jean-Baptiste Pierre Le Brun (1748–1813) and in 1778 she was summoned to Versailles by Marie Antoinette (1755–1793), who sat for her for the first time
The quick pace of change in the fashion of hairstyles during the years Vigée Le Brun worked for Marie-Antoinette would suggest a date of ca.1780-81 for the Wrightsman sheet, just before the appearance of the frizzed bouffant (hérisson) hairstyles of the 1780s. The Queen’s hair is pulled high and far back from her face and topped with a ...
