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B.A. English (Minor: Creative Writing), B.F.A. Fine Art, B.A. Art Histories. ‘The Return’ by Ezra Pound is a twenty-nine-line, five- stanza poem constructed from short lines of varying lengths. The poem was written in 1913 and then published in The New Poetry: An Anthology in 1917. Pound has not chosen to structure this piece with a ...
Canto XLV. By Ezra Pound. With Usura. With usura hath no man a house of good stone. each block cut smooth and well fitting. that design might cover their face, with usura. hath no man a painted paradise on his church wall. harpes et luz.
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American expatriate poet, critic and a major figure of the early modernist movement. His contribution to poetry began with his promotion of Imagism, a movement that derived its technique from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language.
Summary. ‘The Garden’ by Ezra Pound describes the emotional conflict caused by changes in the upper and lower classes of England during the ending months of WWI. It begins with the introduction of a wealthy woman who is walking through Kensington Gardens. She is extremely graceful, like “loose silk,” but within her is a conflict.
Summary of The Tree. ‘The Tree’ by Ezra Pound speaks on the insight that a specific speaker gained while sitting in the woods dwelling on the nature of love. The poem takes the reader through a series of images related to two stories from Ovid’s Metamorphoses. These bring in a great deal of context to a fairly short and simple composition.
He published his first work of poetry in 1908, A Lume Tempo which received rave reviews from the London Evening Standard which called it ‘wild and haunting’. His contemporaries have long hailed him as the father of modern poetry and as a youth Pound professed to want to know more about poetry than any other living man.
1 de jun. de 2013 · Great bulk, huge mass, thesaurus; Ecbatan, the block ticks and fades out; The bride awaiting the god’s touch; Ecbatan, City of patterned streets; again the vision: Down in the viae stradae, toga’d the crowd, and arm’d Rushing on populous buriness, and from parapets Looked down—at North Was Egypt, and the celestial Nile, blue-deep cutting low barren lands, Old men and camels working the ...
