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Ben van Beneden, director of the Rubenshuis in Antwerp, authenticated the painting of George Villiers, the 1st Duke of Buckingham, confirming it to be by the Flemish artist. After centuries of dirt and overpainting was cleaned off by restorer Simon Gillespie the piece revealed many of Ruben’s trademark techniques.
Ben van Beneden, director of the Rubenshuis in Antwerp, authenticated the painting of George Villiers, the 1st Duke of Buckingham, confirming it to be by the Flemish artist. After centuries of dirt and overpainting was cleaned off by restorer Simon Gillespie the piece revealed many of Ruben’s trademark techniques. ( Extracted from [1] ).
Katherine Manners, Baroness de Ros. George Villiers, 2nd Duke of Buckingham, 19th Baron de Ros, KG, PC, FRS (30 January 1628 – 16 April 1687) was an English statesman and poet who exerted considerable political power during the reign of Charles II of England . A Royalist during the English Civil War, in 1651 he joined Charles II's court-in ...
Date/Time Thumbnail Dimensions User Comment; current: 15:02, 24 September 2017: 525 × 685 (47 KB): Jane023 =={{int:filedesc}}== {{Artwork |wikidata = |title = {{en|1= Portrait of George Villiers, 1st Duke of Buckingham}} |description = |date = 1617-1628 |medium = oil on panel |dimensions = 60.9 x 47.3 cm |institution = National Trust, Pollok House |ID =...
George Villiers puede referirse a: George Villiers (1550-1606), High Sheriff de Leicestershire. George Villiers, II duque de Buckingham (1628-1687), hijo del anterior, poeta y hombre de estado inglés. George Villiers, IV conde de Jersey (1735-1805), miembro del parlamento británico. George Villiers (1759-1827), miembro del parlamento británico.
29 de ago. de 2023 · Nacido el 28 de agosto de 1592, George Villiers, primer duque de Buckingham, fue uno de los favoritos del rey Jaime I. Su historia llega a las pantallas con la serie Mary & George.
Ben van Beneden, director of the Rubenshuis in Antwerp, authenticated the painting of George Villiers, the 1st Duke of Buckingham, confirming it to be by the Flemish artist. After centuries of dirt and overpainting was cleaned off by restorer Simon Gillespie the piece revealed many of Ruben’s trademark techniques.
