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La Case de l'oncle Tom ( Uncle Tom's Cabin) est un roman de l'écrivaine américaine Harriet Beecher Stowe. Publié d'abord sous forme de feuilleton en 1852, il vaut le succès immédiat à son auteur. Le roman eut un profond impact sur l'état d'esprit général vis-à-vis des Afro-Américains et de l' esclavage aux États-Unis ; il est un des ...
A black and white silent film based on Harriet Beecher Stowe's novel documenting the life and times of Uncle Tom. Geo. Shelby is forced to sell his faithful old slave, Tom, and the infant son of Eliza Harris, in order to save his property from Haley, the slave trader and holder of the mortgage. Eliza hearing she is to be separated from her baby ...
5 de out. de 2015 · UNCLE TOM’S CABIN (World Producing Corp.; dist: World Film Corp. – US 1914) D: William Robert Daly; SC: Edward McWade, from the novel by Harriet Beecher Stowe (1852) + from the play by George L. Aiken (1853);
English inter-titles. Uncle Tom's Cabin is a 1910 American silent short drama produced by Vitagraph Studios. The film was adapted by from the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe. The first reel was released on July 26, 1910, the same day that the Thanhouser Company released their own three-reel version of Uncle Tom's Cabin.
Durée. 54 minutes. Sortie. 1914. Pour plus de détails, voir Fiche technique et Distribution. modifier. La Case de l'oncle Tom ( Uncle Tom's Cabin) est un film muet américain réalisé par William Robert Daly en 1914. Ce film est une adaptation cinématographique du roman La Case de l'oncle Tom de Harriet Beecher Stowe, paru en 1852 .
A Key to Uncle Tom's Cabin. Uncle Tom's Cabin; or, Life Among the Lowly is an anti-slavery novel by American author Harriet Beecher Stowe. Published in two volumes in 1852, the novel had a profound effect on attitudes toward African Americans and slavery in the U.S., and is said to have "helped lay the groundwork for the [American] Civil War".
So we're in 1914 with one of several adaptations from before and after of Harriet Beecher Stowe's "Uncle Tom's Cabin". A big difference between this one and previous versions, however, is that this marked the first time on film an actual man of color named Sam Lucas-who was also the first person to do so on stage-portrayed the title character.
