Yahoo Search Busca da Web

Resultado da Busca

  1. Each is of the opinion that the other thinks too much. Susan Sontag. "Old" and "new" are the perennial poles of all feeling and sense of orientation in the world. We cannot do without the old, because in what is old is invested all our past, our wisdom, our memories, our sadness, our sense of realism.

  2. 25 de fev. de 2021 · 42. “I urge you to be as impudent as you dare. Be bold, be bold, be bold.”. - Susan Sontag. 43. “The idea of content in art is today merely a hindrance, a nuisance, a subtle or not so subtle philistinism.”. - Susan Sontag. 44. “One can be serious about the frivolous, frivolous about the serious.”.

  3. 9 de abr. de 2021 · To contemplate a quote, or a line from one of Susan Sontag’s (1930 – 2004) many essays or novels, will invariably have the reader pause and read the line or paragraph again. Quotes by Susan Sontag have the capability to change the reader’s perception about how we view our lives — especially in regards to art and our own cultural limitations and vanities.

  4. 6 de dez. de 2014 · It would make me lovable. And it’s the secret to good sex.”. “What is the most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine ...

  5. Notes on ‘Camp’ Quotes Showing 1-24 of 24. “Time liberates the work of art from moral relevance, delivering it over to the Camp sensibility . . . Another effect: time contracts the sphere of banality. (Banality is, strictly speaking, always a category of the contemporary.) What was banal can, with the passage of time, become fantastic.”.

  6. 14 de jan. de 2024 · 17. Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer. — Susan Sontag. 9. Writing is finally a series of permissions you give yourself to be expressive in certain ways. To leap. To fly.

  7. Against Interpretation and Other Essays Quotes Showing 1-30 of 53. “Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities.