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Roger Eliot Fry (14 de diciembre de 1866 – 9 de septiembre de 1934) fue un artista y crítico inglés miembro del grupo de Bloomsbury. A medida que fue madurando como crítico se volvió un acérrimo defensor de la pintura francesa contemporánea, a la cual dio el nombre postimpresionismo . Nacido en Londres, hijo del juez Edward Fry, creció ...
9 de mar. de 2024 · Fry’s story is a fascinating journey through art, emotion, and intellect, making him a figure worth exploring. Key Takeaways Roger Fry was a pivotal figure in modern art criticism, introducing revolutionary perspectives that challenged traditional views and emphasized the emotional and intellectual responses evoked by art.
She exercises editorial control to burnish the occasionally imperfect life of her subject and, by implication, to smooth over public critiques of the Bloomsbury group. Fry (1866–1934) was an English artist and art scholar, a curator for the Metropolitan Museum of Art in New York (1906–10) and the Slade Professor of Art at Cambridge (1933).
Roger Eliot Fry was born in 1866 in Highgate, London, into a wealthy Quaker family. While studying for a Natural Sciences degree at Cambridge, Fry's interest in art was encouraged by the Slade Professor J.H. Middleton and, much to his family's regret, he decided after university to pursue an artistic career rather than continue his scientific studies.
14 de jul. de 2023 · Roger Fry 1 Roger Eliot Fry was a painter, curator, designer, and Britain’s leading art critic during the first half of the twentieth century. In 1910, he organised the revolutionary exhibition, Manet and the Post-Impressionists , introducing contemporary French art to the British public.
In 1906, Fry was hired as curator of European painting at The Metropolitan Museum of Art in New York and was integral to the expansion of the museum’s holdings of Italian Renaissance painting and sculpture. After encountering two paintings by Paul Cézanne at the International Society Exhibition in London in 1906, he began to shift his focus ...
3 de ago. de 2016 · E a distanza di più di cento anni, possiamo dire che si rivelò del tutto fondata la considerazione che apparve sulla rivista The Athenaeum poco dopo l’apertura della mostra curata da Roger Fry: “il 1910 verrà ricordato nella nostra storia dell’arte come l’anno dei post-impressionisti”. Bibliografia di riferimento.
