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  1. View all 86 artworks. Alexander Rodchenko lived in the XX cent., a remarkable figure of Russian Constructivism and Avant-garde. Find more works of this artist at Wikiart.org – best visual art database.

    • December 5, 1891
    • December 3, 1956
    • Summary of Alexander Rodchenko
    • Accomplishments
    • Biography of Alexander Rodchenko

    Alexander Rodchenko is perhaps the most important avant-garde artist to have put his art in the service of political revolution. In this regard, his career is a model of the clash between modern art and radical politics. He emerged as a fairly conventional painter, but his encounters with Russian Futurists propelled him to become an influential fou...

    Rodchenko's art and thought moved extremely rapidly in the 1910s. He began as an aesthete, inspired by Art Nouveau artists such as Aubrey Beardsley. He later became a Futurist. He digested the work...
    Rodchenko's commitment to the values of the Revolution encouraged him to abandon painting in 1921. He embraced a more functional view of art and of the artist, and he began collaborating with the p...
    Photography was important to Rodchenko in the 1920s in his attempt to find new media more appropriate to his goal of serving the revolution. He first viewed it as a source of preexisting imagery, u...

    Childhood

    Alexander Rodchenko was born in Saint Petersburg, Russia, to a working class family. His father, Mikhail Rodchenko, was a theater props manager and his mother, Olga, a washerwoman. The family's social status did not provide much opportunity for the artistic education of talented Alexander. It is still unclear what training (if any) Rodchenko might have acquired as a child. The family moved to the city of Kazan in 1905. Two years later, Mikhail passed away, but they were able to allocate some...

    Early Training

    Rodchenko enrolled in the Kazan School of Art, where he studied from 1910 to 1914 under Nikolai Feshin and Georgii Medvedev. The young artist quickly absorbed the basic principles of the academic training, earning high praise from his instructors. In 1914, he met Varvara Stepanova, a fellow student. They became life-long partners and artistic collaborators. Kazan proved to be too small and stifling for Rodchenko's emerging vision. He and Stepanova journeyed to Moscow in 1915 to acquire more m...

    Mature Period

    While organizing the provincial museums, Rodchenko trained artists to serve the Communist state at the Higher Technical Artistic Studios. He taught the same principles that shaped his own artistic discourse; he rejected illusory representation as an outdated form hindered by the capitalist visual agenda, denounced painting as a domineering visual genre, preferring design, which challenged the notion of a work of art as a unique commodity, and, even more radically, promoted the idea of an arti...

    • December 5, 1891
    • December 3, 1956
  2. Aleksandr Mikhailovich Rodchenko (Russo: Александр Михайлович Родченко, 1891, São Petersburgo, Rússia - 1956, Moscou, Rússia) foi um artista plástico, escultor, fotógrafo e designer gráfico russo, um dos fundadores do construtivismo russo e design moderno russo. Rodchenko era casado com a artista Varvara Stepanova.

  3. Aleksander Mikhailovich Rodchenko (Russian: Александр Михайлович Родченко; 5 December [O.S. 23 November] 1891 – 3 December 1956) was a Russian and Soviet artist, sculptor, photographer, and graphic designer.

  4. In 1921, Rodchenko executed the first true monochrome paintings, first displayed in the 5x5=25 exhibition in Moscow. For artists of the Russian Revolution, Rodchenko's radical action was full of utopian possibility.

  5. www.artnet.com › artists › alexander-rodchenkoAlexander Rodchenko | Artnet

    View Alexander Rodchenkos 1,298 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, works on paper, and prints and multiples for sale and learn about the artist.

  6. "Asphalting a Street in Moscow," made in 1929, provides some insight as to why Rodchenko's work was disparaged, since the tilted horizon line, rapidly receding diagonals, and low vantage point may be regarded as a purely formal statement.