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In One and Three Chairs, Joseph Kosuth represents one chair three ways: as a manufactured chair, as a photograph, and as a copy of a dictionary entry for the word “chair.” The installation is thus composed of an object, an image, and words.
One and Three Chairs, is a conceptual work by Joseph Kosuth, from 1965. An example of conceptual art, the piece consists of a chair, a photograph of the chair, and an enlarged dictionary definition of the word "chair".
- In Minimalism’s Wake
- “Art After Philosophy”
- Semiotics
- The Viewer’S Role
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Questions of form (the visual elements of works of art) had been paramount for many modern artists during the twentieth century and especially post-World War II, when New York City replaced Paris as the center of the most advanced art of the time. Modernism’s focus on pure form (works of art that sought to contain no references or likenesses to the...
By the end of the 1960s, these Minimalist practices were being challenged. Minimalism’s value remained tied directly to the physical object—a visual form that invited viewers to see it, walk around it, and enjoy its aesthetic qualities. Conceptual artists like Kosuth wanted to downplay the pleasures associated with looking at art as part of a rejec...
Kosuth was influenced by new theories of language and signification that had emerged in the early twentieth century, particularly semiotics—the study of the meaning of signs (words or symbols used to communicate information). Semiotics grew out of the science of linguistics, which looks at how language structures meaning. However, the field of semi...
When we look at One and Three Chairs,we are not drawn to admire its beauty, nor are we presented with a relatable story or a figure to be admired. Rather, we are invited to consider the concept of what a “chair” is, as well as the nature of visual and linguistic representation itself—fundamental questions that Plato asked more than two thousand yea...
Learn about the conceptual art work that explores the nature of representation and the role of the viewer. See how Kosuth challenges the traditional notions of art and language with a chair, a photograph, and a dictionary definition.
Reflexões sobre a obra "Uma e Três Cadeiras" (1965), de Joseph Kosuth, grande expoente da arte conceitual. Aborda questões artísticas e filosóficas a partir da obra, especialmente com o pensamento de Platão e a relação do mundo da ideias ou das formas perfeitas e o mundo sensível ou material.
C’est avec la série des « Proto-Investigations », reposant sur ce principe de triptyque, et dont One and Three Chairs est une œuvre emblématique, que Joseph Kosuth apparaît sur la scène artistique.
One and Three Chairs is a conceptual artwork by Joseph Kosuth that explores the nature of art through three perspectives: the object, the photograph and the word. The web page provides the date, dimensions, category and description of the work, as well as the artist's statement and critical responses.
Sobre o que é essa arte? E o mais importante, por que alguém decidiu expor cadeiras em um museu? Se você se identificou com o confuso visitante do museu, imagine como o público de Nova York se comportou quando a obra Uma e Três Cadeiras, de Joseph Kosuth (1945-), foi exibida pela primeira vez no MoMA em 1965. Joseph Kosuth.
