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  1. Nam June Paik (nascido como Baek Nam-jun) (Seul, 20 de julho de 1932 — Miami, 29 de janeiro de 2006) foi um artista sul-coreano. Trabalhou em diversos meios de arte, sendo frequentemente creditado pela descoberta e criação do meio conhecido como videoarte.

  2. The Worlds of Nam June Paik is an appreciation of and reflection on the life and art of Nam June Paik. Paik's journey as an artist has been truly global, and his impact on the art of video and television has been profound.To foreground the creative process that is distinctive to Paik's artwork, it is necessary to sort through his mercurial movements, from Asia through Europe to the United ...

  3. Nam June Paik (Seul, 20 de julho de 1932 — Miami, 29 de janeiro de 2006) foi um artista sul-coreano. Trabalhou em diversos meios de arte, sendo frequentemente creditado pela descoberta e criação do meio conhecido como videoarte.

  4. Nam June Paik (Korean: 백남준; RR: Baek Nam-jun; July 20, 1932 – January 29, 2006) was a Korean artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.

  5. Entenda a sofisticada e profética filosofia do artista coreano em relação à tecnologia e sua capacidade de permitir acesso amplo e interativo à arte e à cultura. Por Beta Germano. 28 de maio de 2020.

  6. 14 de nov. de 2020 · Nam June Paik (Korean: 백남준; RR: Baek Nam-jun; July 20, 1932 – January 29, 2006) was a Korean artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.

  7. 29 de jan. de 2006 · Nam June Paik's enormous contribution to the history of late-20 th-century art largely stems from his position as the first major Video artist. His groundbreaking exploration and use of modern technologies laid the foundation for a new generation of artists in today's complex media culture.

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