Resultado da Busca
Os trabalhos mais importantes e representativos desse período, são a famosa Mulher Colher (Spoon Woman) e O Casal (The Couple) . No início da década de 1930, o estilo emergente de Giacometti e sua natureza intransigente, lhe valeram algumas das figuras mais importantes do movimento surrealista, como André Breton, Man Ray e Georges Bataille.
1 - "Mulher Colher" Do lado esquerdo: Colher Cerimonial, Civilização DAN, Libéria, à direita "Mulher colher" A. Giacometti (1927). Inicialmente seus trabalhos sofrem grande influência das formas geométricas do cubismo e da arte africana.
Alberto Giacometti 1926/1927. Kunsthaus Zürich. Zurich, Switzerland. This sculpture is a key work of the group from 1925–27 that was inspired by African and other tribal art. The powerful...
Spoon Woman. 1926–27 (cast 1954) Alberto Giacometti. Swiss, 1901–1966. Evoking a female body through simplified shapes that suggest a head, shoulders, a chest, and a wide, concave womb, this sculpture was inspired by a ceremonial ladle created by the Dan communities of Liberia and Côte d’Ivoire.
In 1927, these influences were synthesized in Spoon Woman. Created in plaster and later cast in bronze, Spoon Woman is the monumental piece of this period. In this figure, Giacometti interprets the geometry characteristic of Cubism, the stylized forms of African art, and the formal simplicity of European modernism.
Entre suas criações mais conhecidas figuram Torso (1925), A Mulher-colher (1926), Objeto desagradável (1932), Mulher com sua garganta cortada (1932), O palácio às quatro da manhã (1932 ...
The bronze version, cast in 1954 by the Susse foundry, is twenty centimetres bigger than the original plaster one exhibited at the Salon des Tuileries in 1927 with the title Sculpture. Alberto Giacometti made this sculpture having been influenced by his visit of the African and Oceanian Art exhibition held at the Musée des arts décoratifs de ...
