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  1. Jacques-Louis David ( pronúncia francesa [ david [ 1] ] ) ( Paris, 30 de agosto de 1748 – Bruxelas, 29 de dezembro de 1825) foi um pintor francês, o mais característico representante do neoclassicismo. Controlou durante anos a atividade artística francesa, sendo o pintor oficial da corte francesa e de Napoleão Bonaparte .

  2. Jacques-Louis David (pronúncia francesa [ dɒvid ] ) (Paris, 30 de agosto de 1748 – Bruxelas, 29 de dezembro de 1825) foi um pintor francês, o mais característico representante do neoclassicismo. Controlou durante anos a atividade artística francesa, sendo o pintor oficial da corte francesa e de Napoleão Bonaparte.

  3. Jacques-Louis David foi um pintor francês do movimento artístico conhecido como Neoclassicismo. É considerado um dos principais representantes deste movimento. Biografia resumida. Jacques-Louis David nasceu, numa família rica de Paris, em 30 de agosto de 1748.

  4. Jacques-Louis David. Jacques-Louis David ( French: [ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical ...

  5. 1 de mai. de 2024 · Jacques-Louis David (born August 30, 1748, Paris, France—died December 29, 1825, Brussels, Belgium) was the most celebrated French artist of his day and a principal exponent of the late 18th-century Neoclassical reaction against the Rococo style. David won wide acclaim with his huge canvases on classical themes (e.g., Oath of the ...

  6. The Legacy of Jacques Louis David (17481825) The art of Jacques Louis David embodies the style known as Neoclassicism, which flourished in France during the late eighteenth and early nineteenth centuries. David championed a style of rigorous contours, sculpted forms, and polished surfaces; history paintings, such as his Lictors Bringing ...

  7. Há 4 dias · 1748 - 1825. Jacques-Louis David was the leading painter in France of the Neo-classical movement. He became a member of the Academy in 1783, winning fame in the 1780s with a series of paintings, including 'The Oath of the Horatii' (Paris, Louvre, 1785), notable for their austerity of design and theme.