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The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas.
Well-made play, a type of play, constructed according to certain strict technical principles, that dominated the stages of Europe and the United States for most of the 19th century and continued to exert influence into the 20th. The technical formula of the well-made play, developed around 1825 by.
- The Editors of Encyclopaedia Britannica
The play is a prime example of the well-made play or 'Pièce bien faite', in which all the characters' motivations are so interlocked that the action at any given point is markedly consistent in an almost positivist way, with the political and historical processes making up its theme acting perfectly logically and consistently.
Augustin Eugène Scribe ( French: [oɡystɛ̃ øʒɛn skʁib]; 24 December 1791 – 20 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques .
Há 4 dias · well-made play. (. la pièce bien faite. ) A dramatic structure pioneered by French playwright Eugène Scribe and perfected by his successor Victorien Sardou. The aim was to provide a constantly entertaining, exciting narrative which satisfyingly resolved the many complications and intrigues that drove the story.
10 de mar. de 2019 · March 10, 2019. An insightful long read from maker and critic Maddy Costa, into what many theatre makers think about the “well made” play structure today taking into accounts ideas about what makes that traditional concept (although I find it interesting no one mentioned Artistotle’s Poetics) and how other play forms and ...
The Well-Made Play of Eugene Scribe. is commonly called the well-made play, and there is an abundance of literature on translations, adaptations, and imitations of his works as well as general agreement on the importance of his influence on both French and foreign playwrights well into this century. The reaction against his plays-which began ...
