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Robert Thomas Christgau (/ ˈ k r ɪ s t ɡ aʊ / KRIST-gow; born April 18, 1942) is an American music journalist and essayist. Among the most well-known [1] and influential music critics, [2] he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical ...
- Wikipédia, a enciclopédia livre
robertchristgau.com. Robert Christgau ( Nova Iorque, 18 de...
- Wikipédia, a enciclopédia livre
Robert Christgau published his Consumer Guide: February, 2024 : Eternal bebop, aesthetic force with brains, country soul from Newark, and hip-hop dreams with humanistic impulses. Plus: robot limbs, the aging alt-rock bohemia, hypnotic guitar minimalism, and more. Reviews of: Aesop Rock, Dogo du Togo, Jack Harlow, Hothouse , Millie Jackson ...
Biography. I began writing rock criticism for Esquire in 1967, was a columnist for The Village Voice from 1969 to 1972, and returned to the Voice in 1974 after two years as pop music critic at Newsday. Until 1985 I was music editor of the Voice , where I'm now a senior editor and chief music critic.
Distinciones. Beca Guggenheim. [ editar datos en Wikidata] Robert Thomas Christgau ( Nueva York, Estados Unidos; 18 de abril de 1942) es un periodista musical y ensayista estadounidense. Uno de los críticos musicales más conocidos, 1 venerados e influyentes, 2 comenzó su carrera en la década de 1960 como uno de los primeros ...
- Estadounidense
- Robert Thomas Christgau
De Wikipedia, a enciclopédia livre. Robert Christgau ( Nova Iorque, 18 de abril de 1942 ), é um ensaísta e jornalista musical norte-americano. Na imprensa, o seu nome é por vezes abreviado para Xgau. Um dos primeiros críticos profissionais de rock, Christgau é conhecido por suas opiniões, publicadas desde 1969 em suas colunas "Guia do Consumidor".
Robert Christgau (* 18. April 1942) ist ein US-amerikanischer Essayist und Musikjournalist. Christgau ist einer der ersten professionellen Rockmusik - Kritiker und für seine kurzen, prägnanten Kritiken bekannt. Er bezeichnete sich selbst als „Dean of American Rock Critics“ („ Doyen der amerikanischen Rockkritiker“). [1] [2] Inhaltsverzeichnis.
