Resultado da Busca
French. Occupation (s) art critic, novelist. Jules François Felix Fleury-Husson (17 September 1821, in Laon, Aisne – 6 December 1889, in Sèvres ), who wrote under the name Champfleury ( French pronunciation: [ʃɑ̃fløʁi] ), was a French art critic and novelist, a prominent supporter of the Realist movement in painting and fiction.
Champfleury (born Sept. 17, 1821, Laon, Fr.—died Dec. 6, 1889, Sèvres) was a French novelist and journalist, theoretician of the Realist movement, which he analyzed in Le Réalisme (1857). Although his reputation has declined, he was an influential figure whose writings helped to popularize the work of the painter Gustave Courbet , then ...
- The Editors of Encyclopaedia Britannica
Within the group Courbet was nicknamed the "high priest in name" whereas Champfleury was the "cardinal in deed". Probably painted in 1854, this portrait was a study for The Artist's Studio . The writer is featured in it on the right hand side of the painting, among the artist's friends.
Champfleury was a French art critic and novelist who supported the Realist movement and defended Courbet. He also wrote historical works and became the Chief of Collections at the Sèvres porcelain manufactory.
Quick Reference. ( b Laon, 17 Sept. 1821; d Sèvres, 6 Dec. 1889). French writer whose huge and varied output included a good deal about art. He was a leading spokesman for the ... From: Champfleury in The Oxford Dictionary of Art ». Subjects: Art & Architecture.
Died: Dec. 6, 1889, Sèvres (aged 68) Notable Works: “Le Réalisme”. Subjects Of Study: painting. realism. Gustave Courbet. Champfleury (born Sept. 17, 1821, Laon, Fr.—died Dec. 6, 1889, Sèvres) was a French novelist and journalist, theoretician of the Realist movement, which he analyzed in Le Réalisme (1857).
466 JULES CHAMPFLEURY Do realismo: carta a Madame Sand ALEA Rio de Janeiro vol. 16/2 p. 464-473 jul-dez 2014 tidade de gente inútil que julga, faz reflexões, aplaude, contradiz, elogia, bajula, critica sem convicção, que não é a voz do povo e se faz passar pela multidão. Com dez pessoas inteligentes, poderíamos esvaziar comple-
