Resultado da Busca
Lionel Mordecai Trilling (July 4, 1905 – November 5, 1975) was an American literary critic, short story writer, essayist, and teacher. He was one of the leading U.S. critics of the 20th century who analyzed the contemporary cultural, social, and political implications of literature.
- James Trilling
- 1931–1975
- Literary criticism
- Columbia University
Lionel Mordecai Trilling (Queens, 4 de julho de 1905 – Nova Iorque, 5 de novembro de 1975) foi professor renomado do departamento de inglês da Universidade Columbia. [1] Foi casado com a crítica literária e escritora Diana Trilling.
- 5 de novembro de 1975 (70 anos), Nova Iorque
- Manhattan
- 4 de julho de 1905, Queens
- Ferncliff Cemetery
12 de abr. de 2024 · Lionel Trilling (born July 4, 1905, New York, N.Y., U.S.—died Nov. 5, 1975, New York, N.Y.) was an American literary critic and teacher whose criticism was informed by psychological, sociological, and philosophical methods and insights.
- The Editors of Encyclopaedia Britannica
13 de ago. de 2021 · Lionel Mordecai Trilling (Queens, 4 de julho de 1905 – Nova Iorque, 5 de novembro de 1975), foi um crítico literário de reputação internacional e professor emérito da Universidade de Columbia. Nas mãos de Lionel Trilling, a crítica tornou-se não apenas uma consideração de uma obra de literatura, mas também das ideias que ...
30 de out. de 2018 · A review of the correspondence of Lionel Trilling, a literary critic and intellectual who explored the tensions between liberalism and radicalism, modernism and tradition, and culture and society. The reviewer praises Trilling's moral vision, his eclectic approach, and his influence on the age of criticism.
Trilling is thought of as a modernist, but his celebrated essay “On the Teaching of Modern Literature” (1961) makes clear that “modernism” for him meant Proust, Joyce, Lawrence, Eliot, Yeats, Mann, Kafka, Rilke, and Gide. As these letters show, his attitude to the literature of his own time was wary.
In 1952, Lionel Trilling announced that “intellect has associated itself with power, perhaps as never before in history, and is now conceded to be in itself a kind of power.” He was describing what would be his own associations: his personal papers are littered with missives from the stars of postwar politics.
