Resultado da Busca
Kazimir Severinovich Malevich (em russo: Казимир Северинович Малевич, em polonês/polaco: Kazimierz Seweryn Malewicz; Kiev, 23 de fevereiro [Calend. juliano: 11 de fevereiro] 1879 [1] – São Petersburgo, 15 de maio de 1935) foi um pintor abstrato russo de ascendência polaca.
Kazimir Severinovich Malevich foi um importante e famoso pintor russo do início do século XX. É considerado um dos grandes representantes da arte abstrata (Abstracionismo) russa e um dos iniciadores do movimento artístico de vanguarda conhecido como Suprematismo (arte focada na utilização de formas geométricas básicas).
Kazimir Severinovich Malevich (23 February [O.S. 11 February] 1879 – 15 May 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. He was born in Kiev, modern-day Ukraine, to an ethnic Polish family.
Kazimir Severinovich Malevich (em russo: Казимир Северинович Малевич; Kiev, 23 de fevereiro [Calend. antigo 11 de fevereiro] 1879 – São Petersburgo, 15 de maio de 1935) foi um pintor abstrato soviético. Fez parte da vanguarda russa e foi o mentor do movimento conhecido como Suprematismo .
- Ukrainian, Russian, Polish
- Kyiv, Ukraine
29 de jan. de 2023 · Kazimir Malevich was one of the most influential and innovative artists of the 20th century. He pioneered a revolutionary style of abstract art known as Suprematism, which focused on basic geometric shapes and pure color. Born in 1879 to Polish parents in Kiev, Ukraine, Malevich was exposed to traditional Ukrainian folk art from a ...
Kazimir Severinovich Malevich (23 February [O.S. 11 February] 1879 – 15 May 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. He was born in Kiev, modern-day Ukraine, to an ethnic Polish family.
Summary of Kazimir Malevich. Kazimir Malevich was the founder of the artistic and philosophical school of Suprematism, and his ideas about forms and meaning in art would eventually constitute the theoretical underpinnings of non-objective, or abstract, art.
