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Director & Writer: Crane WilburStars: June Havoc, John Russell, Dorothy HartThis Film Noir Crime Drama is set in San Francisco, like many other Film Noirs, a...
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After her husband is killed, a woman executes a series of robberies with her husband's gang while searching for his murderer.
Bosley Crowther, critic for The New York Times, was unimpressed, writing, "there is little of substance or excitement in 'The Story of Molly X.'"He found the story and actors unconvincing: "... this film ... carries a great deal more sentiment than conviction. Miss Havoc may look mighty sweet but she certainly does not overwhelm you with a sense of...
The Story of Molly X at IMDbThe Story of Molly X at the AFI Catalog of Feature FilmsThe Story of Molly X at the TCM Movie DatabaseThe Story of Molly X: Directed by Crane Wilbur. With June Havoc, John Russell, Dorothy Hart, Connie Gilchrist. After gang leader Rick is killed, his wife Molly takes over his gang but a robbery goes wrong and Molly finds herself in jail where she undergoes a personal transformation.
- (215)
- Crime, Drama, Film-Noir
- Crane Wilbur
- 1949-11
Sinopse. When gang leader Rick is killed, his wife Molly takes over his gang but a robbery goes wrong and Molly finds herself in jail where she undergoes a personal transformation.
Sinopse. O marido de Molly, Rick, era um líder de gangue em algum lugar no meio oeste. Quando ele é baleado, a mulher dura se muda para S.F. com um par da turma para começar de novo. Disfarçada como uma mulher nobre, ela e sua gangue roubam os transportes de segurança.
- Crane Wilbur
- June Havoc
Molly’s husband Rick was a gang leader somewhere in the middle west. When he’s shot, the tough woman moves to S.F. with a couple of the gang to start anew. Disguised as a noble woman, she and her gang rob security transports.
Molly X (an alias) is serving time for leading a series of robberies of security transits, even after having escaped charges for murdering her friend Rod Markle (Elliot Lewis) for killing her late husband; however, just as she turns the corner toward the atonement that she’s long resisted (“You can’t change me!
