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19 de mai. de 2010 · Deux de la Vague: Directed by Emmanuel Laurent. With Isild Le Besco, Anouk Aimée, Jean-Pierre Aumont, Charles Aznavour. Jean-Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s.
- (881)
- Documentary
- Emmanuel Laurent
- 2010-05-19
Synopsis. The film investigates the fruitful and turbulent relationship between the two influential French New Wave directors. The film focuses the success of The 400 Blows and Breathless, the role of Jean-Pierre Léaud in both Truffaut and Godard's films, and the directors' fascination with American film. Two in the Wave ends with ...
Die Welle (bra/prt: A Onda) [1] [2] é um filme alemão de 2008 dirigido por Dennis Gansel e estrelado por Jürgen Vogel, Frederick Lau, Jennifer Ulrich e Max Riemelt. É inspirado no livro homônimo de 1981 do autor americano Todd Strasser e no experimento social da Terceira Onda, realizado pelo professor de história norte ...
With clips from over 30 films, and rare interviews with Godard and Truffaut throughout their careers, TWO IN THE WAVE is an essential and often revelatory look at the life and work of two...
Two in the Wave Released May 19, 2010 1h 31m Documentary List 66% Tomatometer 29 Reviews 51% Audience Score 250+ Ratings Directors Jean-Luc Godard and Francois Truffaut enjoy a life-long friendship.
- (27)
- Documentary
- Emmanuel Laurent
Directed by Emmanuel Laurent. An in-depth analysis of the relationship between New Wave pioneers François Truffaut and Jean-Luc Godard, as seen through rare archival footage, interviews, and film excerpts — written and narrated by former Cahiers du Cinéma editor Antoine de Baecque. Cast. Crew. Details. Genres. Releases.
19 de mai. de 2010 · Two in the Wave (2010) 05/19/2010 (US) Documentary 1h 31m. User. Score. Play Trailer. Overview. An in-depth analysis of the relationship between New Wave pioneers François Truffaut and Jean-Luc Godard, as seen through rare archival footage, interviews, and film excerpts — written and narrated by former Cahiers du Cinéma editor Antoine de Baecque.
