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The work is an extensive treatise on the subject of abjection, [1] in which Kristeva draws on the theories of Sigmund Freud and Jacques Lacan to examine horror, marginalization, castration, the phallic signifier, the "I/Not I" dichotomy, the Oedipal complex, exile, and other concepts appropriate to feminist criticism and queer theory .
- Julia Kristeva
- 1980
A book that explores the psychological and cultural dimensions of horror, abjection, and the other in literature and philosophy. The author analyzes the works of Celine, Freud, Hegel, and others, and develops her own theory of abjection as a defense mechanism against the threat of annihilation.
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21 de abr. de 2009 · Powers of horror : an essay on abjection : Kristeva, Julia, 1941- : Free Download, Borrow, and Streaming : Internet Archive.
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There looms, within abjection, one of those violent, dark revolts of being, directed against a threat that seems to emanate from an exorbitant outside or inside, ejected beyond the scope of the possible, the tolerable, the thinkable. It lies there, quite close, but it cannot be assimilated.
A critical analysis of Kristeva's book that explores the concept of abjection as a founding metaphor of culture and a dialectic of the semiotic and the symbolic. The reviewer questions the universal and essentialist claims of abjection and its relation to the maternal, the feminine, and the religious.
Powers of Horror. An Essay on Abjection. Julia Kristeva. Translated by Leon S. Roudiez. Columbia University Press. Main. Reviews. Contents. Excerpt. Links. Awards. In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection.
