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Six Walks in the Fictional Woods is a non-fiction book by Umberto Eco. Originally delivered at Harvard for the Charles Eliot Norton Lectures in 1992 and 1993, the six lectures were published in the fall of 1994. Overview.
- Umberto Eco
- 1994
1 de jan. de 1994 · 4.15. 3,059 ratings246 reviews. In Six Walks in the Fictional Woods Umberto Eco shares with us his Secret Life as a reader―his love for MAD magazine, for Scarlett O'Hara, for the nineteenth-century French novelist Nerval's Sylvie , for Little Red Riding Hood, Agatha Christie, Agent 007 and all his ladies. We see, hear, and feel ...
- (3,1K)
- Paperback
10 de out. de 2020 · 1994. Topics. Nerval, Gérard de, 1808-1855. Sylvie, Fiction -- Technique, Narration (Rhetoric), Fiction Composition (Arts) Publisher. Cambridge, Mass. : Harvard University Press. Collection. internetarchivebooks; printdisabled. Contributor. Internet Archive. Language. English. 153 p. : 22 cm.
In this exhilarating book, we accompany him as he explores the intricacies of fictional form and method. Eco draws us in by means of a novelist's techniques, making us his collaborators in the...
- Umberto Eco
- 49
- 27
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21 de jul. de 1998 · Book Details. 160 pages. 5-1/2 x 8-1/4 inches. Harvard University Press. Literary Studies. In Six Walks in the Fictional Woods Umberto Eco shares with us his Secret Life as a reader—his love for MAD magazine, for Scarlett O'Hara, for the nineteenth-century French novelist Nerval's Sylvie, for Little Red Riding Hood, Agatha Christie, A...
21 de jul. de 1998 · Six Walks is a compilation of six lectures that Eco delivered about how to read, including a description of the contract between reader and author. While this obviously is a profound series of essays, it is extraordinarily accessible, even when Eco is diving into concepts such as the various types of time, the authorial voice within ...
In 1993 Eco was invited to give Harvard's Charles Eliot Norton Lectures, and it is these that make up the six chapters of Six Walks in the Fictional Woods. As suggested in the metaphor of the title, and reinforced throughout the book, Eco likens reading to one's passage through a forest.
