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From October 6, 1959 through June 28, 1960, Ford of Canada broadcast, in the Tuesday 9–11 PM timeslot, on the CBC network in Canada, a show also called Ford Startime, presenting many of the same shows as the American version, alternating with Canadian-produced shows, including adaptions of Arthur Miller's The Crucible (starring ...
- 33 episodes
- October 6, 1959 –, May 31, 1960
- 1
- NBC
Startime: With Ethel Merman, Dean Martin, William Hickey, Alice Backes. The Ford Motor Company sponsored this hour-long program which rotated between variety shows, dramatic productions, and musical comedies. One of the offerings was turned into a regular series, Sing Along with Mitch (1961).
- (222)
- 1959-10-06
- Comedy, Drama, Musical
- 60
Ford Startime (aka Lincoln-Mercury Startime) was an hour long, color anthology series sponsored by the automotive company. Music, variety and drama alternated in various programs over the course of the one season it aired. Many top stars appeared.
"The Turn of the Screw" was an American television movie broadcast by NBC on October 20, 1959, as the third episode of the television series, Ford Startime. It was written by James Costigan as an adaptation of Henry James' novella of the same name. John Frankenheimer was the director and producer.
- Season 1, Episode 3
- John Frankenheimer
- October 20, 1959
- David Amram
Ford Startime (aka Lincoln-Mercury Startime) was an hour long, color anthology series sponsored by the automotive company. Music, variety and drama alternated in various programs over the course of the one season it aired. Many top stars appeared.
FORD STARTIME TV'S FINEST HOUR: TURN OF THE SCREW (TV) Summary. One in this series presented by the Ford Motor company. In her American television debut, Ingrid Bergman portrays a governess hired to care for two orphans, Flora and Miles, in this adaptation of Henry James's classic psychological ghost story.
The Wonderful World of Entertainment. 0.0. October 6, 1959 • 1h. Musical variety episode revolving around the music of the 1930s through 1950s, in which the history of show business--including motion pictures, radio, television, and vaudeville--is used as a thread to hold together the songs, sketches, and dances.
