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  1. Maria Bronislavovna Vorobyeva-Stebelska (Russian: Мария Брониславовна Воробьёва-Стебельская; Maria Bronislavovna Vorobyova-Stebelskaya; 1892 – 4 May 1984), also known as "Marie Vorobieff" or Marevna, was a 20th-century, Russian-born painter known for her work with Cubism and pointillism.

  2. Marie Bronislava Vorobyeva-Stebelska (Russian: Мария Брониславовна Воробьёва-Стебельская; 1892 – 4 May 1984), also known as Marevna, was a 20th-century, Russian-born painter known for her work with Cubism and pointillism.

    • Russian
    • February 14, 1892
    • Cheboksary, Russian Federation
    • May 4, 1984
  3. Morreu: 4 de maio de 1984; London, United Kingdom. Nacionalidade: Russian. Movimento Artístico: Cubismo. Escola de Pintura: École de Paris, La Ruche. Campo: pintura. Amigos e colegas de trabalho: Amedeo Modigliani. Wikipedia: en.wikipedia.org/wiki/Marie_Vorobieff.

    • Russian
    • Cheboksary, Russian Federation
  4. 13 de jul. de 2022 · Maria Bronislavovna Vorobyeva-Stebelska, also known as "Marie Vorobieff" or Marevna, was a 20th-century, Russian-born painter known for her work with Cubism and pointillism. ...more.

  5. The painter known as ‘Marevna’ (after a Russian fairy sea princess) was born Maria Bronislawowna Worobjewa-Stebelskaja to a Polish nobleman father and a Russian mother in Cheboksary, Kazan province, Russia in 1892. She studied at Moscow's Stroganov Art Academy in 1910, then settled in Paris in 1912 amid the artistic...

  6. Marie Bronislava Vorobieff-Stebelska (14 de Fevereiro de 1892 - 4 de Maio de 1984), também conhecida como Marevna foi uma pintora cubista nascida na Rússia. Ela é internacionalmente conhecida por combinar de forma convincente elementos do cubismo (chamados por ela "dimensionalismo") com pontilhismo e estrutura.

  7. 1892 – 1984 : Marie Bronislava Vorobyeva-Stebelska, also known as Marevna, was a Russian-born Cubist painter. She is internationally known for convincingly combining elements of cubism (called by her “Dimensionalism”) with pointillism and – through the use of the Golden Ratio for laying out paintings – structure.