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Sir Hugh Charles Clifford (step-father) Edmée Elizabeth Monica Dashwood, née de la Pasture (9 June 1890 – 2 December 1943), commonly known as E. M. Delafield, was a prolific English author. She wrote novels, short stories, and plays, among other genres, but Delafield is best known for her largely autobiographical Diary of a ...
E. M. Delafield. ‘E. M. Delafield’ is the pseudonym of Edmée Elizabeth Monica Dashwood (née de la Pasture). A regular Time and Tide contributor from the early 1920s, she joined the magazine’s board of directors in December 1927, and remained a director until her death. E.M. Delafield, by Bassano Ltd, 1925.
11 de mai. de 2020 · EM Delafield was a minor novelist who bulked up her husband’s salary as a land agent by writing articles for – and perhaps this is the first clue that she was a more complex figure than her...
E. M. Delafield. EMD 's charming, witty novels are characterized by acute observation and good-humoured social satire. Her stories often draw from her own experiences—as an Edwardian débutante, a novice in a religious order, a war worker, and an upper-middle-class wife and mother in a modernizing Georgian world.
Há 1 dia · Overview. E. M. Delafield. (1890—1943) Quick Reference. (1890–1943), whose many popular novels include The Diary of a Provincial Lady (1930), a gentle satire of a middle‐class life of laundry lists, cooks, and visits from the vicar. From: Delafield, E. M. in The Concise Oxford Companion to English Literature »
Edmée Elizabeth Monica Dashwood, née de la Pasture (9 June 1890 – 2 December 1943), commonly known as E. M. Delafield, was a prolific English author who is best-known for her largely autobiographical Diary of a Provincial Lady, which took the form of a journal of the life of an upper-middle class Englishwoman living mostly in a Devon ...
I trace the career of E.M. Delafield from her somewhat ambivalent association with the middlebrow to her forthright participation within that sphere and her creation of a middlebrow style with greater independence from modernism that upheld the significance and humour in everyday life; her journalism with Time and Tide serves as the conduit for this evolution.
