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  1. Ada Nemesis Galsworthy (20 November 1864 – 29 May 1956) was an English editor, translator, writer and composer. She was married to Nobel Laureate for Literature John Galsworthy.

    • 20 November 1864
    • Translator, editor, composer
    • British
  2. 19 de abr. de 2018 · Ada Galsworthy’s motivation may have been a deliberate form of self-effacement: helping her lover with typing and editing, but keeping a low profile at this stage of their life. For Constance Garnett , it was clearly professional self-assertion, while for the deliberately reclusive Gabriela Cunninghame Graham , translation of works ...

    • Helen Chambers
    • helenmchambers32@gmail.com
    • 2018
  3. 1 de abr. de 2002 · On 23 September 1905, the day after Ada’s divorce came through and ten years after they fell in love, Ada Nemesis and John Galsworthy were married. The first year of their married life passed in ...

  4. University of Birmingham. Photo credit: University of Birmingham. Send information to Art Detective. This three-quarter-length portrait shows Ada Galsworthy seated and in profile. In 1905 Ada married the noted playwright John Galsworthy, famous in particular for his Forsyte Saga.

    • Ada Galsworthy1
    • Ada Galsworthy2
    • Ada Galsworthy3
    • Ada Galsworthy4
    • Ada Galsworthy5
  5. Until the death of John Galsworthy senior in 1904, Ada and Galsworthy kept their relationship secret, because a scandal would have distressed the old man greatly. Ada encouraged Galsworthy to become a writer, as did his two sisters, Lilian (Lily) and Mabel, close friends of Ada.

  6. Abstract. When Ada and John Galsworthy married, at the fashionable St George’s, Hanover Square, on 23 September 1905, she signed her name as Ada Nemesis Pearson Cooper Galsworthy, the daughter of Emanuel Cooper. John’s two sisters were the witnesses signing the marriage certificate. 1 Marrot’s biography also claims that she was “the ...

  7. 1 de jan. de 2022 · John Galsworthy’s Compassion. Jill Felicity Durey. 73 Accesses. Abstract. This chapter examines Galsworthy’s changing and hesitant views on vivisection. Its canvas differs slightly from that of previous chapters.