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  1. Christabel Rose Coleridge (25 May 1843 – 14 November 1921) was an English novelist and an editor of girls' magazines, sometimes in collaboration with the novelist Charlotte Mary Yonge. Her views on the role of women in society were conservative.

  2. Christabel. Christabel is a long narrative ballad by Samuel Taylor Coleridge, in two parts. The first part was reputedly written in 1797, and the second in 1800. Coleridge planned three additional parts, but these were never completed.

  3. Christabel. By Samuel Taylor Coleridge. PART I. 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock. She maketh answer to the clock,

  4. archive.org › download › christabel0000coleChristabel - Archive.org

    Christabel is not only a fragment, it is a sequence of fragments composed at different times and in different places. It is impossible to assign an exact date to the composi¬ tion of the First Part. In the Preface to the pamphlet entitled Christabel: Kubla Khan, A Vision, &c., which was published in 1816, Coleridge writes “The first part

  5. 11 de fev. de 2021 · Definition. Christabel Coleridge (1843–1921), granddaughter of poet Samuel Taylor Coleridge and author of more than 40 books, is today remembered primarily in connection with her mentor and eventual colleague, the Tractarian novelist Charlotte Mary Yonge. Coleridge developed her voice as a writer through her copious contributions ...

    • Claudia Nelson
    • claudia_nelson@tamu.edu
  6. Coleridge's ‘Christabel’ weaves a tale of eerie encounters and supernatural elements in a medieval setting.

  7. 16 de fev. de 2021 · Analysis of Coleridge’s Christabel. By NASRULLAH MAMBROL on February 16, 2021 • ( 0 ) According to the preface to Lyrical Ballads (1798) Samuel Taylor Coleridge and William Wordsworth agreed to divide their contributions to the joint volume, with Coleridge writing the “supernatural poems” and Wordsworth the natural ones—the scenes of everyday life.