Yahoo Search Busca da Web

Resultado da Busca

  1. Written in a moving personal style, anchored by concrete examples, and memorably quotable, Blooms book maintains that the anxiety of influence cannot be evaded–neither by poets nor by responsible readers and critics.

  2. 10 de abr. de 1997 · Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist.

    • (98)
    • Harold Bloom
    • $19.49
    • Oxford University Press
  3. 24 de mar. de 2021 · Prologue: It was a great marvel that they were in the father without knowing him -- Introduction: A meditation upon priority and a synopsis -- Clinamen or poetic misprision -- Tessera or completion and antithesis -- Kenosis or repetition and discontinuity -- Interchapter: A manifesto for antithetical criticism -- Daemonization or the ...

  4. The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical approach to literary criticism.

    • Harold Bloom
    • 1973
  5. Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his...

  6. 2 de mar. de 2010 · The anxiety of influence : a theory of poetry : Bloom, Harold : Free Download, Borrow, and Streaming : Internet Archive. by. Bloom, Harold. Publication date. 1975. Topics. Poetry, Dichtkunst. Publisher. London ; New York : Oxford University Press. Collection. printdisabled; internetarchivebooks; inlibrary. Contributor. Internet Archive. Language.

  7. 1 de jan. de 2001 · Written in a moving personal style, anchored by concrete examples, and memorable quotations, this second edition of Bloom's classic work maintains that the anxiety of influence cannot be evaded - neither by poets nor by responsible readers and critics.