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Theodore Komisarjevsky. Fyodor Fyodorovich Komissarzhevsky ( Russian: Фёдор Фёдорович Комиссаржевский; 23 May 1882 – 17 April 1954), or Theodore Komisarjevsky, was a Russian, later British, theatrical director and designer. He began his career in Moscow, but had his greatest influence in London.
19 de mai. de 2024 · Theodore Komisarjevsky (born May 23, 1882, Venice, Italy—died April 17, 1954, Darien, Conn., U.S.) was a Russian theatrical director and designer, one of the most colourful figures of the European theatre of his time.
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Para uma crítica séria do Sistema, ver Theodore Komisarjevsky,Iorque, 1930), pp. 134 e ss. Nicolas Evreinoff, História do Teatro Russo [ Eu e o TeatroHistoire du Théâtre Russe [Myself and the Theatre] (Paris,] (Nova 1947), pp. 3066 e ss; Edwin Duerr, “Stanislávski e a Ideia” [“e do Teatro [Studies in Speech and Drama], em Honra de Alexander M. DrummondStanislavsky and the Idea ...
Overview. Theodore Komisarjevsky. (1882—1954) theatre producer and designer. Quick Reference. (1882–1954), Russian director and designer, brother of Vera Komisarjevskaya. Born in Venice, he was brought up in Russia and gained his initial experience in the pre-Revolutionary theatre, where from 1907 ...
Theodore Komisarjevsky, as Head of Art Direction and Cecil Masey, as architect, continued to work for the Granada Theatre Circuit on both new theatres and others that were in need of refurbishment. However, in 1932, when Sidney Bernstein took over the Regal Watford , he chose George Coles as architect, but stayed with Mr. Komisarjevsky as the ...
Theodore Komisarjevsky was a leading 20th century theatrical director and designer, particularly known for his productions of plays by Anton Chekhov and William Shakespeare in England in the 1930s. Born into a theatrical Russian family, a son of an opera singer, and a younger step-brother of a prominent Russian actress Vera Komissarzhevskaia ...
Theodore Komisarjevsky's Macbeth n the Spring of 1933 Theodore Komisarjevsky staged Macbeth at the Shakespeare Memorial Theatre, Stratford-upon-Avon.' He already had a reputation at Stratford as an innovator. The year before, when the theatre was in its first season, his Merchant of
