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Há 6 dias · Joaquín Callabed reflects, in one of his articles, on the figure of Juan Tomás Porcell, the doctor whose action was fundamental in combating the plague epidemic that devastated Zaragoza in 1565.
Há 4 dias · The Nobel Prizes ( Swedish: Nobelpriset, Norwegian: Nobelprisen) are awarded annually by the Royal Swedish Academy of Sciences, the Swedish Academy, the Karolinska Institutet, and the Norwegian Nobel Committee to individuals and organizations who make outstanding contributions in the fields of chemistry, physics, literature, peace, and ...
Há 5 horas · The 236-page report, “‘I Can’t Erase All the Blood from My Mind’: Palestinian Armed Groups’ October 7 Assault on Israel,” documents several dozen cases of serious violations of ...
Há 4 dias · This list of Nobel laureates by university affiliation shows the university affiliations of individual winners of the Nobel Prize since 1901 and the Nobel Memorial Prize in Economic Sciences since 1969. The affiliations are those at the time of the Nobel Prize announcement. [1]
Há 4 dias · Michael Bakari Jordan (/ b ɑː ˈ k ɑːr i / bah-KAR-ee; born February 9, 1987) is an American actor and producer. He is best known for his film roles as shooting victim Oscar Grant in the drama Fruitvale Station (2013), boxer Adonis Creed in Creed (2015), and Erik Killmonger in Black Panther (2018), all of which were written and directed by Ryan Coogler.
Há 4 dias · Each Nobel Prize consists of a gold medal, a diploma bearing a citation, and a sum of money, the amount of which depends on the income of the Nobel Foundation. A Nobel Prize is either given entirely to one person, divided equally between two persons, or shared by three persons.
Há 1 dia · For the malleability of Whiteness, see Hussein Fancy, ‘Color, Race, and Religion in Spain: Cantigas de Santa Maria’, in Balthazar, 42–45; Jamie Friedman, ‘Making Whiteness Matter: The King of Tars’, postmedieval 6 (2015): 52–63; Dennis Austin Britton, ‘From the Knight's Tale to The Two Noble Kinsmen: Rethinking Race, Class and Whiteness in Romance’, postmedieval 6 (2015): 64–78.
