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  1. Há 2 dias · List of years - Wikipedia. Contents. hide. (Top) 1st millennium BC. 2nd millennium. 3rd millennium. See also. List of years. This page indexes the individual years pages. Each year is ordered. 1st millennium BC. 8th Century BC. 719. 718. 717. 716. 715. 713. 7th century BC. 700. 699. 698. 697. 696. 695. 694. 693. 692. 691. 690. 689. 688. 687. 686.

  2. Há 2 dias · In the late Bronze Age, from the late 2nd millennium to the early 1st millennium BC, a fourth wave, the Proto-Villanovan culture, brought iron-working to the Italian peninsula.

  3. Há 2 dias · The Phaistos Disc or Phaistos Disk is a disk of fired clay from the island of Crete, Greece, possibly from the middle or late Minoan Bronze Age (second millennium BC), bearing a text in an unknown script and language. Its purpose and its original place of manufacture remain disputed.

  4. Há 5 dias · By the time it emerged in the second half of the 2nd millennium bce, it had already acquired a completely distinct character from the parent Indo-European language. Its linguistic features place it in a central region on the dialect map that can be reconstructed for Proto-Indo-European; the ancient languages with which it has the ...

  5. Há 4 dias · The late 2nd millennium and the reemergence of urbanism; Peninsular India in the aftermath of the Indus civilization (c. 2000–1000 bce) The development of Indian civilization from c. 1500 bce to c. 1200 ce. Traditional approaches to Indian historiography; Trends in early Indian society; From c. 1500 to c. 500 bce. Early Vedic period

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  6. Há 2 dias · During the 2nd millennium, the use of true bronze greatly increased. The tin deposits at Cornwall, England, were much used and were responsible for a considerable part of the large production of bronze objects during that time. The age was also marked by increased specialization and the invention of the wheel and the ox-drawn plow.

  7. Há 4 dias · Aural Architecture: Music, Acoustics, and Ritual in Byzantium by Bissera V. Pentcheva Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this multidisciplinary collection of ten essays explores the intersection of liturgy, acoustics, and art in the churches of Constantinople, Jerusalem, Rome and Armenia, and reflects on the role digital technology can ...