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  1. Há 1 dia · Amazingly, Bourgeois was still active in the years before she died in 2010, at the age of 98. One of these works was Cell (The Last Climb) (2008), the last of her series of Cell installations ...

  2. Há 1 dia · Like many of the greats of modern art, Louise Bourgeois’s practice is both very much of the 20th century and yet, somehow timeless. Much has been made of how Bourgeois, after emigrating to New York in 1938, played a crucial role in transforming the influence of European movements like Surrealism to usher in a new era of American midcentury art.

  3. Louise Bourgeois Cette artiste franco-américaine, issue du mouvement contemporain, menait un travail autobiographique qui explorait des thèmes comme la mémoire, la sexualité et la psychanalyse. Ses sculptures et ses installations sont encore exposées dans de grandes institutions artistiques telles que la Tate Modern, le MoMA ou le Centre Pompidou.

  4. Há 4 dias · Ma non finisce qua: contemporaneamente al progetto Louise Bourgeois in Florence, Galleria Borghese di Roma ospita la mostra L’inconscio della memoria e Villa Medici l'installazione No Exit e l'arazzo Sainte Sébastienne, mentre a Napoli è in corso la rassegna intitolata Rare Language presso la Galleria Trisorio.

  5. Há 3 dias · Rome, On June 21, the Galleria Borghese opened to the public the exhibition “Louise Bourgeois: Unconscious Memories”, historic for several reasons: it is the first dedicated to a contemporary artist in this Roman villa and it also marks the debut exhibition in the Italian capital of the French-Canadian author, who did, however, maintain a fruitful relationship with Italian art throughout ...

  6. Há 3 dias · El pasado 21 de junio, la Galleria Borghese abrió al público la muestra “Louise Bourgeois: Unconscious Memories”, histórica por varias razones: es la primera dedicada a una artista contemporánea en esta villa romana y también supone el estreno expositivo en la capital italiana de la autora franco-canadiense, que sí mantuvo, sin ...

  7. Há 4 dias · While Neel’s portraits desecrated the good mother archetype by capturing the potential brutality and pain of parenting, Bourgeois’ The Good Mother (2003) sees long white threads extend from the breasts of a small pink body, trapping her in an endless cycle of creation and reproduction.