Resultado da Busca
Há 3 dias · At first, an unassuming farmer's cottage, then the home of Virginia Woolf and her husband Leonard (purchased for a mere £700 in 1919), Monk's House has been lovingly preserved – still full of its past owners' books and artwork collections; a place where writing and ideation by one of the 20th century's greatest minds could be pursued with abandon.
Há 15 horas · Quedan para el recuerdo el dúo entre Virginia y Laura en el momento climático, con sus reflexiones suicidas, y, por supuesto, el trío final que anima a la búsqueda de cierta felicidad a través de una composición que subraya tanto la necesidad de intentarlo (“and you try, and you try”), como, mediante un suspenso armónico, la imposibilidad de lograrlo.
Há 4 dias · His wife, the well-known writer Virginia Woolf, participated in the work of that group (Woolf [1967] 1989, 27). 13 Leonard Woolf remained a Fabian throughout and never joined the Guild Socialists, although obviously sympathetic to guild ideas. 14 In 1919 he published Co-operation and the Future of Industry which argues that labor unions and consumer cooperatives are natural allies. 15 This ...
Há 2 dias · Do encontro nasceria uma amizade que duraria até a morte de Woolf em 1941. Ilustração de Victoria Ocampo e Virginia Woolf. - Greta Coutinho/Divulgação. Essencialmente epistolar, essa amizade ...
Há 5 dias · Books. 22 May 2024. Virginia Woolf’s politics of peace. Published between the wars, Woolf’s essay Three Guineas still has lessons for today’s conflict-ravaged world. By Elif Shafak. Virginia Woolf by Roger Eliot Fry (1866-1934). Image courtesy of Leeds Museums and Galleries.
Há 15 horas · Woolf began writing in her 20s, following much encouragement from her father. She married Leonard Woolf in 1912 and was known professionally as Virginia Woolf. Woolf’s most notable works include Mrs Dalloway, A Room of One’s Own, and To the Lighthouse.
Há 15 horas · Cocktails with George and Martha: Movies, Marriage and the Making of Who’s Afraid of Virginia Woolf? by Philip Gefter; Bloomsbury, 368 pp., $32 In 1922, the Franco-British theater visionary Michel Saint-Denis, then 25 years old, asked Constantin Stanislavsky, the founder of the Moscow Art Theatre, how he had made the character Madame Ranyevskaya drop a cup of hot tea so realistically in Act ...
