Yahoo Search Busca da Web

Resultado da Busca

  1. Há 5 dias · La Maison de la culture du Japon organise une confrontation entre deux champions japonais de l’architecture. Un ancien, Kenzô Tange, et un représentant de la nouvelle génération, Kengo Kuma.

  2. Há 5 dias · Quando abordou a convivência com o arquiteto japonês Kenzo Tange (1913-2005), despertou um genuíno “Uau, a sério?” de admiração de Kengo Kuma, já que aquele era uma das suas grandes referências. “Tinha 10 anos quando o meu pai me levou a ver o pavilhão que fez para os Jogos Olímpicos de Tóquio [em 1964].

  3. Há 3 dias · Il y a d’abord le gymnase olympique de Yoyogi, œuvre de la figure emblématique du modernisme japonais, Kenzô Tange : deux grands coquillages de béton s’élevant vers le ciel, où se déroulèrent...

  4. Há 5 dias · Rather than the reconstruction of historic structures, however, these efforts were taken as the opportunity to roll out a new modern masterplan designed by Kenzo Tange, who had won an international competition. Construction materials, prefabricated elements and entire buildings came from more than 80 countries on five continents, orchestrated by the United Nations and apparently transcending ...

  5. Há 6 dias · Overview, in 2023, of the roof of the National Stadium, designed in 2019 by Kengo Kuma, in Tokyo. MIKIYA TAKIMOTO/GYSC That the Maison de la culture du Japon in Paris would take advantage of the Paris 2024 Olympic and Paralympic Games to look back on those held twice in Tokyo, in 1964 and in 2021, […]

  6. ja.wikipedia.org › wiki › 丹下健三丹下健三 - Wikipedia

    Há 5 dias · 丹下 健三 (たんげ けんぞう、 1913年 ( 大正 2年) 9月4日 - 2005年 ( 平成 17年) 3月22日 )は、 日本 の 建築家 、 都市計画家 。 一級建築士 (登録番号第15182号)。 位階 勲等 は 従三位 勲一等瑞宝章 、 文化勲章 受章。フランス政府より レジオンドヌール勲章 受章。 カトリック 信徒(洗礼名 ...

  7. Há 5 dias · "This publication offers a rare opportunity to compare the two artists' illustrations of the same themes, and includes essays that provide an introduction to nineteenth-century Japanese popular culture and bridge the gap between the centuries by exploring aspects of the grotesque in Japanese art, explaining legends and plays, and presenting some of Kuniyoshi's preliminary studies."