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  1. Há 6 dias · Director George Cukor, with whom Selznick had a long working relationship and who had spent almost two years in pre-production on Gone with the Wind, was replaced after less than three weeks of shooting.

  2. Há 1 dia · George Cukor's brief stint LeRoy, after reviewing the footage and feeling Thorpe was rushing the production, adversely affecting the actors' performances, had Thorpe replaced. During reorganization on the production, George Cukor temporarily took over under LeRoy's guidance.

  3. Há 4 dias · George Cukor won for My Fair Lady (1964). Mike Nichols won for The Graduate (1967). Carol Reed won for Oliver! (1968). Franklin J. Schaffner won for Patton (1970). Bob Fosse won for Cabaret (1972). Francis Ford Coppola won for The Godfather Part II (1974). Miloš Forman won twice, for One Flew Over the Cuckoo's Nest (1975) & Amadeus ...

  4. Há 5 dias · O escândalo nesta afirmação é que, segundo Moser, Sontag seria a verdadeira autora do escrito de Rieff – e que a apropriação indevida ocorreu por causa do relacionamento tumultuado entre os dois, ocorrido entre 1950 e 1958, que se iniciou à la My Fair Lady (1964), de George Cukor, e terminou como um drama à la Cenas de um Casamento (1973), de Ingmar Bergman.

  5. Há 3 dias · A: The movie was directed by George Cukor. Q: Who stars in My Fair Lady? A: The film features Audrey Hepburn as Eliza Doolittle and Rex Harrison as Professor Henry Higgins. Q: Is My Fair Lady based on a book? A: The movie is an adaptation of the stage musical of the same name, which is in turn based on the play Pygmalion by George ...

  6. Há 3 dias · Scott played George S. Patton in the film Patton (1970) and researched extensively for the role, studying films of the general and talking to those who knew him. Scott declined the Oscar nomination for Patton, just as he had done for his nomination in 1962 for The Hustler, but won the award anyway.

  7. Há 3 dias · Hantise / Gaslight, George Cukor (1947) Ce changement d’échelle est au cœur du livre d’H. Frappat. Il pose la question de la continuité entre l’évaporation de la femme, dans le cadre privé du mariage hétérosexuel, et la violence de la manipulation politique contemporaine.