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Há 1 dia · Este ensaio visa apresentar algumas contribuições teórico-metodológicas de Fredric Jameson aos estudos e pesquisas em Direito & Literatura brasileiros. O inconsciente político de Jameson é lido como o resultado de uma convergência entre a crítica literária marxista e a teoria estruturalista da linguagem que privilegia as narrativas fantásticas e oferece um percurso analítico em ...
Há 4 dias · Fredric Jameson, ‘Third-World Literature in the Era of Multinational Capitalism’, Social Text, 15 (1986) 65–88 (p. 77). Jameson’s ‘Third World Literature’ essay has been largely dismissed within postcolonial literary criticism due to accusations of cultural essentialism (signalled by the essay’s admittedly unfortunate choice of title).
Há 2 dias · In the 1990s, performative writing and reading attempted to disrupt the rhetorical and ideological structure of scholarly writing. Performative readings helped expose the ways in which scholarly claims to truth-telling—as in Clifford Geertz’s influential essay on the Balinese cockfight—obscured violent or oppressive rhetorical operations.
Há 2 dias · Jameson, Frederic. “Afterword: Adaptation as a Philosophical Problem.” In True to the Spirit: Film Adaptation and the Question of Fidelity. Eds. Colin McCabe, Kathleen Murray, and Rick Warner. Oxford University Press, 2011. 215-33. Johnson, David T. “Windows onto Disciplines.” Literature/Film Quarterly 39.3 (2011): 162-4 ...
Há 3 dias · Fredric Jameson has said that "Stalinism was…a success and fulfilled its historic mission, socially as well as economically" given that it "modernized the Soviet Union, transforming a peasant society into an industrial state with a literate population and a remarkable scientific superstructure."
Há 4 dias · En este ensayo, exploraremos la crisis de la modernidad a través de las lentes de tres pensadores influyentes: Jean-François Lyotard, Fredric Jameson y Julia Kristeva. Además, integraremos el...
Há 2 dias · For the most part, the structuralists ignored context, not to speak of historical change; Fredric Jameson’s fine article ‘Magical Narratives: Romance as Genre’, developed in The Political Unconscious (1981), was a notable exception — if, indeed, he counts at all as one of their number.
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