Resultado da Busca
Há 3 dias · Actor: Ernest Borgnine was an award-winning actor, performer, and entertainer as well known for his talk show appearances as he was for his performances. Borgnine's best-known film roles include Marty Piletti in Marty, which earned him an Academy Award and Golden Globe win, and "Dutch" Engstrom in The Wild Bunch.
Há 9 horas · ER has won 124 industry awards from 419 nominations, including the George Foster Peabody Award in 1995, TCA Award for Program of the Year in 1995, and Primetime Emmy Award for Outstanding Drama Series in 1996. It was also nominated for 124 Primetime Emmy Awards (with 23 wins), 25 Golden Globe Awards (with one win), 18 Screen Actors Guild Awards ...
Há 2 dias · “The Black Hand: The Epic War Between a Brilliant Detective and the Deadliest Secret Society in American History” by Stephan Talty; Houghton Mifflin Harcourt (298 pages, $28) ——— A dozen ...
Há 6 dias · In Mexico, a mad general is leading his own war against the Church. Priests are rounded up, churches burned down and religion outlawed. The suffering of one pious catholic priest could bring the tide of change however. I am slowly moving all my movies from YouTube to Dailymotion. Please support this move by following me on this channel. The follow button is under the Users tab. Happy Viewing ...
- 93 min
- 3
- VariousThingsandStuff
Há 4 dias · I due film con Manfredi e Borgnine. Secondo il sito ufficiale della Cappella del Tesoro, i preziosi tornarono a Napoli il 5 marzo 1947. Secondo altri il 5 gennaio. Sta di fatto che a portarlo indietro furono il guappo e il principe, senza scorta, da soli su un’auto tra ponti crollati, posti di blocco, banditi.
Há 4 dias · World for Ransom. 1 votes. World for Ransom is a 1954 American film directed by Robert Aldrich, who was uncredited for his work. Many of the actors and sets used in the film were from the Dan Duryea television show China Smith. Duryea, Patric Knowles, Gene Lockhart, Reginald Denny, and Nigel Bruce starred in the film.
Há 4 dias · All this you can get from simply watching the film, without recourse to Wikipedia or various articles and documentaries. And yet, I’m compelled to object. Not to the film itself. I object to how tempting the historical context of La casa lobo appears to be. For the film is not only some imaginative footnote to this history. Two things, then.
