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  1. Há 5 dias · The film has shown at festivals over the last year and won Best Feature Film at the Toronto Documentary Feature and Shorts Festival. Buster Keaton: Home tells the story of Busters early life on the road as a child vaudeville star and how he found his home along the shores of Lake Michigan.

  2. Há 4 dias · From Buster Keaton to Furiosa. The action sequences, too, have a less hectic, certainly less heady affect. Where Mad Max: Fury Road had Max’s chase sequence through corridors in a frame rate that could turn resting eyes dizzy — the average length of a shot in that film was around 2.3 seconds — Furiosa’s swelling rig-chase is almost swaying.

  3. Há 2 dias · Above, views of the same “Y” intersection set appearing in Mary Pickford’s 1919 The Hoodlum (left) and in Buster Keaton’s 1922 Day Dreams. You can read all about this frequently used backlot set in this prior post Mary Pickford, the Talmadge Sisters, and Buster Keaton at the Brunton Studio.

  4. Há 2 dias · Limelight featured a cameo appearance from Buster Keaton, whom Chaplin cast as his stage partner in a pantomime scene. This marked the only time the comedians worked together in a feature film. Chaplin decided to hold the world premiere of Limelight in London, since it was the setting of the film.

  5. Há 3 dias · Robot's dreams often lead him into fantasy worlds inspired by classic cinema, from The Wizard of Oz and the musicals of Busby Berkeley to the form-bending comedy of Buster Keaton, but it's not necessary to catch the references to find these sequences delightful.

  6. Há 3 dias · “Battling Butler” is a silent comedy film from 1926 starring Buster Keaton, known for its physical comedy and timeless humor that still entertains audiences today. The movie’s success helped solidify Keatons career and showcased his comedic genius, paving the way for future comedic masterpieces in the film industry. Table of Contents.

  7. Há 5 dias · My humble tribute to one of my favorite comedic actors of Silent Film.Slideshow and music created by Marin Gale.

    • 2 min
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    • Marin Gale