Resultado da Busca
Há 1 dia · The 1970s marked a second golden period for the American western. Many of the finest entries in the genre were rather unconventional, like Arthur Penn’s Little Big Man (1970) and The Missouri Breaks (1976), Ralph Nelson’s Soldier Blue (1970) and Robert Altman’s McCabe and Mrs Miller (1971).
Há 4 dias · McCabe & Mrs. Miller's Third Act has plenty of action, but Altman makes the interaction between actors Beatty, '60s Go-Go muse Julie Christie, and Shelley Long of central importance.
Flashing the negative -- intentionally exposing the film stock to a low level of light, either before or after filming in the camera, to give more detail in the shadows and to lower the overall contrast of the scene (see McCabe and Mrs. Miller for a well-known example of this)
Há 1 dia · This movie and all the other ones I’ve made are about a true desire to explore life all around us. I learned it from McCabe & Mrs. Miller, it’s Altman’s philosophy, and that makes that movie a beautiful study of that environment and that community. O’CONNOR: Yeah. I felt it really adds to the mosaic feeling of the film.
Há 2 dias · But it’s a director he hasn’t worked with who film The Dead Don’t Hurt might most remind viewers of: Robert Altman’s revisionist Western McCabe and Mrs. Miller. Audiences looking for a similarly gentle, more romantic and cerebral Western will be amply rewarded with Mortensen’s fine entry into this singular genre.
Há 4 dias · Early life Leonard Norman Cohen was born into an Orthodox Jewish family in the wealthy Montreal enclave of Westmount, Quebec, on September 21, 1934. His Lithuanian Jewish mother, Marsha ("Masha") Klonitsky (1905–1978), emigrated to Canada in 1927 and was the daughter of Talmudic writer and rabbi Solomon Klonitsky-Kline. His paternal grandfather, who had emigrated from Suwałki, in Congress ...
Há 5 dias · In subverting the black-and-white morality of the classic Western, Red Dead 2 builds on the legacy of so-called "revisionist" Western films like McCabe & Mrs. Miller or Unforgiven. It portrays the American frontier as a morally grey landscape where the march of progress is inescapable and often cruel.
