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Há 1 dia · Already in Roman thought, this idea of an external voice or sign begins to be associated with an internal genius that belongs to the individual.In Christian thinking of the European romantic period, the daemonic in general and the Socratic daimonion in particular are associated with notions such as non-rational divine inspiration (for example, in Johann Georg Hamann and Johann Gottfried Herder ...
Há 1 dia · Regarding the format, the essay represents a shift in Jünger’s thought towards theological reflections, aphorisms, and additions. Stylistically these writings are closer to his diaries and the sui generis used by authors like Johann Georg Hamann, Johann Gottfried von Herder, and Friedrich Hölderlin.
Há 4 dias · Dick, “British Romanticism and Paper Money,” 696–97. In a 1760 essay titled “Miscellaneous Notes on Word Order in the French Language,” the philosopher Johann Georg Hamann, much beloved by the Romantics, offers a version of this idea: “The investigation of money and language is as profound and abstract as their use is universal.
Há 20 horas · Es war sein alter Hausfreund Johann Georg Hamann, der hier ein neues Stichwort in die Königsberger Diskussion einbrachte. Hamann verlagert das Problem sozusagen wieder in den ›diskursiven Raum‹. Und er bestimmte dann das, was er »wahre Aufklärung« nennt neu: er sagt, dass sie im »Ausgange des unmündigen Menschen aus einer allerhöchst selbst verschuldeten Vormundschaft bestehe.«
Há 2 dias · Der älteste der drei Brüder, Gotthelf Friedrich Jehmlich (1779–1827), erlernte das Orgelbauerhandwerk bei Johann Georg Hamann (1758–1835) in Constappel bei Meißen. Sein Bruder Johann Gotthold (1781–1861) ging bei Johann Christian Kayser in Dresden
Há 5 dias · Museu De Reproduções De Arte Razão é Língua, Logos. Johann Georg Hamann (1730 1738). Da série Great Ideias, 1966 por Herbert Bayer (Inspirado por) (1900-1985, Croatia) | WahooArt.com + 1 707-877-4321 + 33 970-444-077
Há 3 dias · For the assertion that Buber, following the German philosopher Johann Georg Hamann (1730–1788), thought that poetry is a “natural form” of prophecy, see (Schaeder 1991, p. 14). The unique—and difficult—lyrical style of I and Thou might be connected to Buber’s special relation to poetry.
