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Há 3 dias · Waits starred in Jim Jarmusch's Down by Law (1986), lent his voice to his Mystery Train (1989), composed the soundtrack for his Night on Earth (1991) and appeared in his Coffee and Cigarettes (2003). He collaborated with Robert Wilson and William S. Burroughs on the "cowboy opera" The Black Rider (1990), the songs for which were released on the album of the same name .
Há 2 dias · Jim Jarmusch’s ‘The Dead Don’t Die’ follows two police officers from a small American town who witness the signs of undead people killing humans around them. Across the way, we learn about their lives, their idiosyncrasies, and ideologies that are bound to impact their likelihood of surviving a zombie apocalypse.
Há 5 dias · I saw this when it came out, went to the cinema with my other half on a rare occasion we managed to do just that. When you rarely go to the cinema the stakes are high: the film has a lot of responsibility. I remember we both pretty much hated it, but on rewatching it now I am easily reminded why. It was primarily the eponymous Paterson’s (Adam Driver) relationship with his wife, Laura ...
Há 4 dias · The narrative centers on a young man coming back to his community, where he struggles with societal rejection and personal redemption in a world prejudiced against him and others like him. Release ...
Há 3 dias · Pela sexta vez, Tom Waits vai colaborar com Jim Jarmusch no novo filme deste. O músico fará parte do elenco de “Father Mother Sister Brother”, cuja produção deve estar terminada este ano. Waits vai contracenar ao lado de Adam Driver, Mayim Bialik, Cate Blanchett, Charlotte Rampling ou Indya Moore, num filme que é descrito como […]
Julie Viez Producer. Filmmaker Jim Jarmusch and musician Carter Logan’s band SQÜRL soundtrack four silent short films by the surrealist Man Ray. As SQÜRL’s cosmic score plays, Return to Reason (1923), Emak-Bakia (1926), L’Étoile de mer (1929), and Les Mystères du château de Dé (1927) form one unique piece.
Há 3 dias · However, as a masterpiece of surrealism, it’s an undoubted winner, championed by the likes of Jim Jarmusch, John Woo and Quentin Tarantino. The film is like a Takeshi Kitano movie if it was made by David Lynch during his most introspective nightmare, which can be no bad thing if you’re really in the mood.
