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  1. en.wikipedia.org › wiki › CubismCubism - Wikipedia

    Há 2 dias · The movement was pioneered in partnership by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne . [2]

  2. Há 1 dia · Metzingers katt. Verket ”Chat a balle” av Jean Metzinger visas upp inför en auktion i London 2023. Foto: Kirsty Wigglesworth/AP Proust skrev om byggnader med fyra dimensioner, men förstod sig inte på relativitetsteorin. Schönberg skrev till Einstein om kabbalistisk talmystik. Hur hängde det ...

  3. Há 2 dias · In Japan sind zwei Gemälde des legendären Kunstfälschers Wolfgang Beltracchi in Museen entdeckt worden. Die Existenz der Bilder war bekannt, aber nicht ihr Standort.

  4. www.artnet.com › artists › marie-laurencinMarie Laurencin | Artnet

    Há 1 dia · Her close contact with the Cubists and Section d’Or artists such as Robert Delaunay and Jean Metzinger led her to develop her hallmark style of simplified volumes and arabesque lines. During her life she was a sought after portrait painter of notable Parisian celebrities including Coco Chanel.

  5. Há 1 dia · Jean Metzinger a fost un pictor și teoretician de artă francez asociat cu mișcarea cubistă. Unul dintre lucrările sale notabile este „Le Vélodrome”, realizată în 1912. Acest tablou este adesea considerat unul dintre primele exemple de cubism sintetic, o formă de cubism care a evoluat din cubismul analitic.

  6. Há 2 dias · Answer: Jean Metzinger Jean Metzinger (1883-1956) was a French painter, theorist and writer who played a major role in the development of Cubism. Metzinger was part of the avant-garde community in Paris and collaborated with artists such as Albert Gleizes, with whom he co-wrote "Du 'Cubisme'" (1912), a seminal text that articulated the theoretical underpinnings of Cubist art.

  7. Há 1 dia · At the Velodrome by Jean Metzinger, 1912. Flying machines, fast cars, electric light – there were many new technologi­es to excite artists in the early 20th century, but one of the most popular was speed-cycling.