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Há 3 dias · Murder in Berkeley Square. Offering “a vibrant picture of the roles Black and mixed-race people played in Regency life” (Publishers Weekly), this unique historical mystery series, featuring a mixed-race heroine with a notorious past, will appeal to Bridgerton fans who want a sharper edge to their drama. A marriage of convenience saved Lady ...
Há 5 dias · Which 1993 fantasy film featured Charles Grodin, Alfre Woodard, Kyra Sedgwick, and Tom Sizemore as ghosts who needed Robert Downey Jr.'s help to resolve the loose ends in their lives? A hint regarding the photo: It's a picture of a pair of nebulae.
Há 2 dias · 1980–1984[edit] Pastel drawing of Óscar Romero, murdered Archbishop. Jeannie Mills (39), was a female early defector from the Peoples Temple along with her husband and teenage daughter, who were all murdered on 26 February 1980 in front of their Berkeley, California home. [1] The murder is still unsolved.
Há 2 dias · Gone with the Wind is a 1939 American epic historical romance film adapted from the 1936 novel by Margaret Mitchell. The film was produced by David O. Selznick of Selznick International Pictures and directed by Victor Fleming. Set in the American South against the backdrop of the Civil War and the Reconstruction era, the film tells the story of ...
Há 1 dia · Berkeley Square: Frank Lloyd: A modern man is transported back to 18th-century London where he meets his ancestors and falls in love with a woman of the era. 1933 Roman Scandals: Frank Tuttle: A delivery man imagines himself in Ancient Rome. 1937 Ali Baba Goes to Town: David Butler A hobo falls asleep on a film set and wakes up in 10th-century ...
Há 4 dias · In the days of the Regency Berkeley Square probably vied with Grosvenor Square in being the most fashionable spot in the West-end, and the neighbourhood of both was constantly spoken of in the last century as the very type of London wealth, taste, hospitality, and luxury. Hence the sarcastic remark of Cawthorne—.
Há 3 dias · Shotgun Players’ production of “Best Available” in Berkeley takes the audience on a crazy ride, bordering on farce at times, through the inner workings of nonprofit on stage.
