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  1. en.wikipedia.org › wiki › David_LynchDavid Lynch - Wikipedia

    Há 3 dias · Filming began on May 29, 1972, at night in some abandoned stables, allowing the production team, which was largely Lynch and some of his friends, including Sissy Spacek, Jack Fisk, cinematographer Frederick Elmes and sound designer Alan Splet, to set up a camera room, green room, editing room, sets as well as a food room and a bathroom.

  2. 9 de jun. de 2024 · Frederick Elmes, ASC (born November 4, 1946) is an American cinematographer, known for his association with the independent film movement. He is a long-time collaborator of directors David Lynch, Ang Lee, Charlie Kaufman, Jim Jarmusch, and Todd Solondz.

  3. 16 de jun. de 2024 · This is a list of the High Sheriffs of Northamptonshire . The High Sheriff is the oldest secular office under the Crown. Formerly the High Sheriff was the principal law enforcement officer in the county but over the centuries most of the responsibilities associated with the post have been transferred elsewhere or are now defunct, so ...

  4. 7 de jun. de 2024 · Frederick Elmes, ASC (born November 4, 1946) is an American cinematographer, known for his association with the independent film movement. He is a long-time collaborator of directors David Lynch, Ang Lee, Charlie Kaufman, Jim Jarmusch, and Todd Solondz.

  5. Há 2 dias · Frederick II (German: Friedrich II.; 24 January 1712 – 17 August 1786) was the monarch of Prussia from 1740 until 1786. He was the last Hohenzollern monarch titled King in Prussia, declaring himself King of Prussia after annexing Royal Prussia from the Polish–Lithuanian Commonwealth in 1772.

  6. 24 de jun. de 2024 · From the opening shots of blood red roses in front of a white picket fence below a blue sky to Isabella Rossellini’s deep blue eyeshadow and bright red lips as she sings “Blue Velvet” in front of the signature Lynchian red curtains, Frederick Elmes’s (Eraserhead; Wild at Heart) legendary cinematography gives the film a dreamy ...

  7. 13 de jun. de 2024 · “What’s on the screen isn’t really David’s film. It’s a different edit. It’s a different version of the film, and that made me very sad”. — FREDERICK ELMES (Additional Unit Cinematographer) “What you don’t realize is there’s like seven hours on the cutting room floor […]