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  1. Há 2 dias · Assine já. O Rijksmuseum, em Amesterdão, descobriu a verdadeira identidade de um casal retratado pelo pintor neerlandês Frans Hals, em 1637, como o autarca da capital dos Países Baixos Jan van ...

  2. Há 2 dias · O Rijksmuseum de Amesterdão descobriu a verdadeira identidade de um casal retratado pelo pintor neerlandês Frans Hals, em 1637, como o autarca da capital dos Países Baixos Jan van de Poll, e a sua mulher, Duifje van Gerwen. Anteriormente acreditava-se que o retrato era de um cervejeiro neerlandês e a sua mulher, mas os investigadores da ...

  3. Há 2 dias · When Amsterdam’s militia of the early 17th century fell out with the Haarlem painter employed to make their portrait—a middle-aged man called Frans Hals—two canny newlyweds made the most of ...

  4. Há 2 dias · Hoje Macau - 4 Jun 2024. O museu Rijksmuseum de Amesterdão descobriu a verdadeira identidade de um casal retratado pelo pintor neerlandês Frans Hals, em 1637, como o autarca da capital dos Países Baixos Jan van de Poll, e a sua mulher, Duifje van Gerwen. Anteriormente acreditava-se que o retrato era de um cervejeiro neerlandês e a sua ...

  5. Há 1 dia · Researchers at the Rijksmuseum have identified a married couple in portraits by 17th century master Frans Hals as the seven-times Amsterdam mayor of the time and his wife. The discovery is unusual because often the great and the good of the Netherlands would have their portraits taken by a local painter. However, a row between Hals and the Amsterdam militia which meant that he never finished a ...

  6. Há 2 dias · Portrait of Jan van de Poll (1597-1678) by Frans Hals, c. 1637. Source: Rijksmuseum. When the Rijksmuseum acquired this pair of portraits by Frans Hals in 1885, the museum’s then director incorrectly identified the subjects as Nicolaes Hasselaer, a brewer and major in the Amsterdam city guard, and his second wife Sara Wolphaerts van Diemen.

  7. Há 2 dias · This is the only pair of pendant marital portraits of an Amsterdam couple painted by Frans Hals. Jan and Duifje travelled to Haarlem around 1637 to sit for the painting. Jan van de Poll (1597-1678) and Duifje van Gerwen (1618-1658) were married in 1637. Duifje was the youngest daughter of a wealthy wine dealer based on Amsterdam’s Warmoesstraat.

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