Yahoo Search Busca da Web

Resultado da Busca

  1. Há 2 dias · His works have spanned generations, and his legacy lives on in the works that he wrote and was an inspiration to many writers like Zora Neale Hurston, Richard Wright and Arna Bontemps. His writings capture some of the most important moments in African American history, such as the Great Migration and the Harlem Renaissance, and they remain relevant in today’s society.

  2. Há 1 dia · 3 Credit(s) Corequisite: ENGL 101 Study of the fiction, drama, poetry, and essays of such significant Black writers as Richard Wright, James Baldwin, Ralph Ellison, Lorraine Hansberry, Arna Bontemps, Malcolm X, and Toni Morrison.

  3. Há 6 dias · Poets.org offers information on notable Harlem Renaissance poets, including Langston Hughes, Claude McKay, Arna Bontemps, and Countee Cullen. Poets’ pages include biographical information, lists of their published works, and external links to other helpful websites.

  4. Há 4 dias · 1973—Arna Bontemps dies at the age of 72 in Nashville, Tenn. Born in Louisiana, Bontemps became one of the key figures in the Black artistic and cultural movement known as the Harlem Renaissance of the 1920s and 1930s. Bontemps was a prolific writer and poet. About Post Author

  5. Há 4 dias · Arna Bontemps has called Langston Hughes the »original jazz poet,« and it is worth noting that Hughes in his last years often read his poetry to jazz accompaniment. But there is more in these poems than jazz, its rhythms and its significance.

  6. Há 3 dias · Some of her other poems were also anthologized in Arna Bontemps’s and Langston Hughes’s The Poetry of the Negro, 1746–1949 (Doubleday & Co., Inc., 1949). Delany later moved to New York City, where she became a social worker and the director of the Joint Committee on the Negro Child Study.

  7. Há 2 dias · In the last years of his life, Cullen wrote mostly for the theatre. He worked with Arna Bontemps to adapt Bontemps's 1931 novel God Sends Sunday as the musical St. Louis Woman (1946, published in 1971). Its score was composed by Harold Arlen and Johnny Mercer, both white.