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  1. Há 2 dias · ADORNO, Theodor W. Sobre a tradição. In: ADORNO, Theodor W. Sem diretriz – Parva estética. Trad. Luciano Gatti. São Paulo: Editora Unesp, 2021, 79-84.

  2. Há 4 dias · Metaphysical experience is one of the most obscure concepts in Adorno's Negative Dialectics. The obscurity stems partly from the way in which metaphysical experience is antinomic. To describe the antinomic character of metaphysical experience, Adorno situates it in relation to Kant's first Critique .

  3. Há 11 horas · Die Professur, die der Philosoph Adorno im Nachkriegsdeutschland bekam, zählte zur „Wiedergutmachung“. Später musste er sich gegen die dogmatische Linke behaupten. Warum man die ...

  4. Há 5 dias · THEODOR ADORNO (September 11, 1903 – August 6, 1969) German philosopher, sociologist, and composer. Major Accomplishments: Wrote large bodies of work on philosophy, aesthetics, and human suffering. Wrote the highly influential Minima Moralia (1951) and Negative Dialectics (1967).

  5. Há 1 dia · Finally, “late style”—a concept associated with Theodor W. Adorno and Edward W. Said—has become an influential way of characterizing works of artistic maturity written as the author approaches old age and death (though it is certainly not limited to biological maturity).

  6. Há 2 dias · Theodor Adorno's The Culture Industry: Selected Essays on Mass Culture is the best collection of his essays on the emergence and effects of mass culture and homogenization on human consciousness. In this work, Adorno argues that the creation of a “culture industry” that turns cultural creations (especially art, but it can also be said of scientific research) into commodities for sale to ...

  7. Há 4 dias · A indústria cultural é um termo cunhado pelos pensadores críticos da Escola de Frankfurt, Theodor Adorno e Max Horkheimer, para descrever a forma como a cultura é produzida em. massa e disseminada nas sociedades contemporâneas. Este artigo buscará explorar as. diversas perspectivas, desafios e impactos da indústria cultural, destacando ...

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